….Hackorama continues
Top 5 IPs Blocked .. I pay two men to watch for, identify and zap hacker IP addresses.
| IP | Country | Block Count |
|---|---|---|
192.116.58.17 |
Israel | 157 |
5.188.62.140 |
Russian Federation | 94 |
46.114.7.168 |
Germany | 87 |
195.154.182.201 |
France | 85 |
143.110.212.250 |
United States | 57 |
….Demonic Indio “culture”
http://www.dailymail.co.uk/news/article-4658112/Tower-human-skulls-Mexico.html
The Olmec, Mayan and Aztec cultures — all committing horrific and idiotic mass human sacrifice — were dominated by satanic alien entities.
https://johndenugent.com/images/mayan-grays.jpg
..Mel Gibson’s great Mayan thriller movie “Apocalypto”
Cover of the DVD of Mel Gibson’s masterpiece “Apocalypto”
Watch it free: http://putlocker.is/watch-apocalypto-online-free-putlocker.html (The NY Times admitted this movie might have gotten six Oscars had Gibson not fallen afoul of Hollywood Jewry.)
In the January-February 2007 issue of TBR [The Barnes Review], my article on “Psychopaths and History” (found here: https://johndenugent.com/solutreanism/important-info/psychopaths-in-power) triggered much discussion of which specific individuals and groups in history have literally proven to be psychopathic, i.e., those who go beyond the usual human greed, ego and prevarication and, to use traditional religious language, are “deliberately evil.”
Psychopaths, as described in the bestselling “The Sociopath Next Door” by Martha Stout, a 25-year veteran of Harvard Medical School, can deeply scar or destroy the lives of others: they lie constantly, act sadistically and maliciously and sacrifice others for their advancement and pleasure.
Why? Because they have an unlimited “will to power” to tyrannize over others, and possess neither inhibitions nor conscience nor any ability to truly love or feel compassion.
Strikingly, Stout claims our ruling class is full of these maneuvering monsters, with many at the very top, and that they enjoy clear advantages over the decent and trusting majority “that is, until again and again the wrath of God and man strikes them down. In this article, I returns with an appreciation of Mel Gibson’s December 2006 worldwide hit film, “Apocalypto”. I claim that Gibson has consciously set out to do a film about psychopaths in power, the paralyzing fear they create in their victims, and the inner turning point between victim and patriot. Gibson has magnificently succeeded in this, I say, his greatest film masterpiece.
Barnes Review readers seem to agree with this assessment, and some of our most thoughtful correspondents have seen this movie “about Mayans in Mayan, with subtitles “between four and six times. And it turns out that there lurk in the subtitles some heretical comparisons:
For months I had three objections to seeing this film “all defanged by the film itself:
One, although a former Marine, I detest anything that sounds like a “horror film,” and a film about human sacrifice sounds appalling.
A Mayan victim hunter
In fact, the violence in this film, which does show human sacrifice and those escaping it and fighting back, is not gratuitous but at the core essence of the story, and Gibson shows only half the gruesome Mayan-Aztec reality which the Spanish terminated after 1502. It may make professional anti-racists uncomfortable, but “Apocalypto” cleaves tightly to reality in details both large and small, right down to the colors of the plant dyes used in native clothing, the jade used by different classes of women and the feather headdress of the great king.
Mel Gibson, one of 11 pure-Irish children of Irish-born Hutton Gibson and his Irish-born wife. Mel was born in the States but raised in Australia.
(Using artistic license, Gibson does blend different periods of Mayan architecture and decor, and by the time the Spanish came, as shown in the film, the jungle Mayan cities already had been mysteriously abandoned. It was actually further north, in the very similar and neighboring Aztec culture with its own human sacrifices, that the Spanish would find the same psychopathic atrocities, which caused them to eradicate the Aztec regime root and branch with the aid of oppressed local tribes.)
Two, I detest our national tendency to mindless action movies. Methinks Americans should break with their hyperactive national character by “doing” less and “thinking” more.
What Apocalyptorepresents, however, is a mindful action movie. It is done by a storyteller worthy of Homer, a director worthy of Cecil B. DeMille (Gibson’s movie has 700 extras, all in differing accurate costumes), and a deeply spiritual man (when not off the wagon; Mel in Australia used to drink two scotches in beer, which he called “liquid violence”).
“Apocalypto” transmits via entertainment a tremendous message, one that reflects the values of his father, Hutton Gibson, a courageous Holocaust revisionist, a Traditional Catholic “and an honored speaker at the 2003 conference held by this very magazine. (http://en.wikipedia.org/wiki/Hutton_Gibson)
Hutton Gibson, who died this year, with famed Australian revisionist Dr. Fredrick Toeben, also deceased. (Margi and I knew him well.)
Not many Hollywood “action flicks” start with a quote from historian Will Durant (1885-1981), author of the Pulitzer Prize-winning, eleven-volume The Story of Civilization:
“A great civilization is not conquered from without until it has destroyed itself from within.”
Third, I wondered how much relevance Mayan Indios in 1502 had to me, a White man in 2013, except for the possible fact that our country of America is now being flooded by illegal alien descendants of the Mayans and Aztecs. 😉
Mel leads Mayan actors across a raging river; in this scene, Mayan human-hunters are taking their pitiful victims to the temple for the hideous human sacrifice. On the left is a “spider camera” that moves along a wire as the action advances.
Actually, plenty of relevance: The entire movie delineates how a tiny psychopathic ruling class misrules, lies to, entertains with mass festivals, impoverishes and oppresses an entire nation “and how God and man ultimately thwart them.
The title “Apocalypto” comes from one of the very many utterly unique scenes in this revolutionary piece of film making. Mayan manhunters pass through an orphan girl’s smoldering shell of a village, not unlike the pulverized Ramadi or Fallujah in Iraq, or Dresden in 1945 Germany or Gaza in Palestine. They take along their captives destined for human sacrifice, neck-tied to a wooden rail, heading for their torture and death. The psychopaths prod her aside; they have no time for starving orphans; the clock is ticking for show time in the Yucatan.
She dries her little-girl tears and thanks to Gibson, from somewhere real, inside the character, come two riveting eyeballs trained on them and a voice of doom that “spooks” even the hardened enslavers. She then “reveals the end” of all that they represent; in Greek, she “apocalyptizes” the final things.
Two Mayan actors confer with Gibson
The official Apocalypto poster from Icon Productions (Gibson’s own film company that also did Braveheart), depicts a Mayan high priest, with an obsidian knife in hand, striding forth from his ziggurat where for years he has been sacrificing trembling humans.
Trailer (in German but irrelevant “ the move is entirely in Mayan with subtitles, just as Gibson’s “Passion of the Christ” was entirely in Latin and Aramaic with subtitles)
Some reviews of the movie on Youtube underneath:
- widooex2 weeks ago
Mel Gibson is a great actor and director. This movie is one of the best ever made!
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in reply to feroxratä(Show the comment)- ä
1 of my favorite movies of ALL TIME ¦and that says a lot ¦This film goes 2 HARD
Mayan high priests harangues the crowd that priest must do human sacrifice or the gods will be angry and the sun will disappear.
In 1486, in fact, during an Aztec temple dedication before huge and roaring crowds (just 16 years before Columbus’s fourth expedition, which landed in Central America), in a four-day festivaltwenty thousand live captives, knowing in advance what was going to happen to them, consciously saw and felt their hearts, hands and feet being surgically sliced away by the glass-like but razor-sharp obsidian knives, this before their heads were cut off and flung, followed by the torsos, bouncing and flipping down the pyramid steps “naturally “as the crowd roared.”
Aztecs ripping a heart out; the Spanish under Cortez conquered Mexico so quickly because many Indio tribes sided with the Spanish to be free of the Aztecs and their horrific demonic, religion.
Other Mayans were used as target practice for various elite weapons. Raids to small villages, as depicted in”Apocalypto” in an unforgettable 15-minute sequence, brought a never-ending supply of fright-sickened new victims.
But the Mayans also fought wars and humiliated captured foreign leaders; as Gibson relates in the fascinating “Director’s Commentary” on the DVD, they spent nine interminable years degrading, humiliating “and amputating various parts off “a captured head of state. As Gibson related, in the end the captives were just “balls of nerve endings.” It would appear that the sociopathic priests enjoyed making fools even of their own kings; the Mayan heads of state were persuaded to try accessing the gods by driving a stingray spine through their penis. (See sidebar: “Mel didn’t show half of it.”)
It reminds one of George Orwell’s description in the novel 1984 of the ultimate psychopathic regime. Big Brother’s spokesman explains with chutzpah to the captured Winston Smith:
“Power is not a means, it is an end. One does not establish a dictatorship [or Mayan priestly rule] in order to safeguard a revolution [or new order]; one makes the revolution in order to establish the dictatorship.
“The object of persecution is persecution.
The object of torture is torture.
The object of power is power.”
“Part III, chapter three
Here speaks pure sociopathy from the summit of the State.
Vast swaths of forest were also cut down for fuel by the Mayan ruling class, heedless of devastation to the environment (especially of the top soil), all this to bake the clay bricks used for these ever-higher ziggurats.[However, the Mayan and Aztec cultures (and those of the Incas, Apaches, and other Amerindians) never even invented the wheel “except as a child’s toy! “despite all those round logs they cut down and rolled and despite the vast distances encountered in the Americas. Nor did they possess horses in pre-Columbian America. So everybody trudged along, carried or pushed something with human power until Spain came in 1502.
Nor did the Mayans and Aztecs, canoers, invent the sail in a hundred generations of feeling the wind blow their canoe sideways. Perhaps they were waiting for the “white gods” to return.
All film dialogue is spoken entirely in the authentic Mayan of the Yucatan peninsula in Mexico where the film was made, and all actors, including the star, Rudy Youngblood of Texas, are Amerindians from North and Central America. (As a young man awakened by horror to his destiny and abilities, Youngblood’s performance at the hands of producer-writer-director Gibson is superlative.)
It is said that in his 2004 The Passion of the Christ, the “antisemitic” (in reality “New Testament”!) remarks are left only in the Aramaic language and are not even printed in the subtitles. Interestingly, in the French subtitles to his movie, Apocalypto, even more so than in the English or Spanish subtitles, the murderous high priest makes many Talmudic-sounding statements during the human sacrifice scene.
“These are the days of our great lament,” the high priest intones to the crowds from atop his pyramid. Then he asserts to the over-awed mob (again, this is in the French subtitles translating the Mayan): “Notre peuple a été choisi.” That means: “Our people has been chosen.”
In the English and Spanish subtitles, this is prudently rephrased as “We are a people of destiny” (perhaps in dishonor of Franklin Roosevelt’s inaugural address: “This generation has a rendezvous with destiny.”)[footnote2: Hutton Gibson was strongly opposed to Roosevelt and his war, albeit he was wounded in 1944 in the Pacific as an Army officer.]
One recalls that when “Apocalypto” was released in December 2006, it was just four months since Gibson’s famous July 28, 2006 “antisemitic tirade.”
On Gibson’s website one sympathizer, a born-again Christian, probably expressed best why the movie-going public shrugged off Gibson’s ?anti-semitic rant? and went to see Apocalypto:
“I’d like to see what the Jews say about us when they get drunk!”
We further learn from Gibson in the Director’s Commentary on the DVD ” which he dispenses together with the film’s Iranian co-producer and co-writer, Farhad Safinia “ that for authenticity they had all the actors playing Mayan rulers “wear curved nose prostheses.”
The curvy-nosed priest then continues with his harangue: “We were chosen to be the masters of time; we were chosen to walk with the gods.”
In the telling closeup, the Mayan king and high priest nervously exchange glances during the high point of the killings. We know from archeology and temple architecture “when beams of light would fall on certain points “that the Mayan priests knew exactly when eclipses would take place, but the point was to be seen as miracle workers. But will the solar eclipse yet again “do the trick” and, as darkness overshadows the great city, over-awe the trusting crowd, striking a quasi-9/11-like fear in them?
Will the public believe forever that through killings their leaders protect the nation from ecliptic terror and doom?
The whole scam behind their grand pleasure in killing victims was that in this way the “peuple choisi“, the chosen people, would “save the harvests and the nation.”
(Writer Margaret Huffstickler has commented: “The eclipse is like 9/11, and invading Iraq and establishing Guantanamo and Abu Ghraib is the ˜necessary’ human sacrifice.”)[footnote: On Christopher Columbus’s last expedition, in 1503-04, he was stranded for over a year on Jamaica with wrecked ships. In a scam designed to intimidate the Arawak Indians of Jamaica into feeding him and his men, he used his trusty Ephemeris from the German astronomer Regiomontanus to correctly predict the lunar eclipse of February 29, 1504. It worked; they kept feeding him.]
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In the subtitle of the official “Apocalypto” DVD cover we read the slogan: “No one can outrun their destiny.”
This certainly applied to the psychopathic native ruling class of pre-Columbian Central America. At the very end of the movie, ominously, the Spanish arrive in power from their great, dark ships, with soldiers, priests and brandished crucifixes, to eventually overthrow and annihilate the murderous Mayan ruling class.
How interesting for Mel Gibson to introduce for the movie’s final scene the Spain that exactly ten years before, in 1492, had not only sailed the ocean blue but expelled the Jews and fully unleashed the Inquisition on the the marranos, the secret Jews still in power in the background. (To this day, 515 years later, only one resident of Spain in two thousand is Jewish.)
Through DVD technology, we can first enjoy the artist’s cinematic work and then, merely pressing the remote control, consult him personally through his commentary as to what he was thinking, aiming at and enduring technically trying to achieve each shot and scene.
We can also appreciate his use of costumes, history, authentic weapons, makeup for men and women of different classes, and see the scenes, such as the one with the burnt and limping deer, that he cut for brevity or distraction of the storytelling flow.
Truly, in the hand of the masters, the cinema is the premier art form of our time. In “Apocalypto,” after viewing the two-hour masterpiece, the viewer therefore should spend another profitable two hours on another day reliving each scene with this truly great artist, Mel Columcille Gibson, and his brilliant Iranian colleague Farhad Safinia, and a third hour with the “Special Features” on the DVD of Apocalypto to understand the secret ocean of detail that Gibson has channeled into this mighty current. It is what Wagner would have called a Gesamtkunstwerk, a total art form.
Then many of my Barnes Review-reading friends actually did “see Apocalypto another four to six times. That is doable with a great work of art.
What stands out, finally, is what the father says in the jungle to Jaguar Paw: “Fear makes you weak, and fear makes you sick.”
This is, as the Will Durant quote at its beginning shows, a movie about now, about the psychopathic regime now, and about transcending the real fears we face now. And, as the hero says after he takes the plunge over the waterfall, “This is MY forest.” See the movie.
Gibson Mayan Film on the Cutting Edge
Viewers will recall the unforgettable scene at Eyipantia Falls (in Veracruz, Mexico) where Jaguar Paw, to escape the manhunters, hurls himself bravely over the massive cataract. Pulling himself from the water, he has “found himself” inwardly by this near-death act, and announces to the pursuing Zero Wolf and his fellow pursuers, perched high on the cataract’s edge: “This is my forest where my father hunted with me. And this is where I will hunt with my son!”
This is also where Gibson reveals his incredible dedication to spectacular new photography. Not only is Apocalypto one of the first major movies shot with digital movie cameras, the Panavision Genesis model, and not with celluloid film, but for the waterfall scene they used the innovative “spider cam.”
A cable was extended like a lip out over the fall, with the movie camera on it, and it follows the stunt man out over the edge and as he leaps hundreds of real feet downward; then, still in the same smooth and gliding shot, the cable pulls the spider-camera up and away from the falls and over toward the far shore, as depicted in the still photograph above.
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….Ancient Aryans
New video on our ancient Aryan kin settling down around the globe. It starts off with me talking to the Discovery Channel, then goes heavily into the great Viracocha and the blond founders of the civilization of Peru which the Incas took over. Then it discusses the Guanches, an advanced people but living in the Stone-Age.
(They were “Stone-Age” only because there was NO METAL at all to use on their volcanic islands, and this blond nation did not want to have any contact or trade with the outside world.)
The Guanches were very handsome, intelligent and heroic, and lived on the Canary Islands, perhaps escaping thither after the flooding of Atlantis, until they were enslaved or genocided as evil pagans by Catholic Spain. 🙁
Now look from the time from 6:20 to the end of this video on a discovery in Florida! Over 150 bodies of buried White people from 5,000 B.C. near Cape Canaveral, Florida!
At 6 minutes and 30 seconds into the above video clip, a scientists talks about pre-historic DNA found in North America.
On the Science Channel, Dr. Joseph Lorenz of the Coriell Institute for Medical Research conducted DNA tests on the 5,000 year old bodies that were found in the Windover Bog excavation site in Florida. As was said in this program:
Dr. Lorenz: When I sequenced larger fragments and I was looking for the sites that I know are characteristic of Native American haplogroups, I was surprised because I did not find them.
Narrator: In contrast to all previous findings, Lorenz could not confirm the Windover people were [Native (sic)] Americans. Further investigation reveals something even more remarkable.
Dr. Lorenz: I went back to the screen and I looked at the sequences again, and the first person’s DNA looked European. When I looked at the second one, it looked European. When I looked at the third, fourth, and fifth, they were slightly different from the first two, but they looked European.
And Lorenz was unaware of the magnificent new book by Gordon Kennedy, about the Canary Island blonds (scroll down one-third here) https://johndenugent.com/english/english-grand-rabbi-on-selfish-dinks-white-indians-of-nivaria)
Recently I discovered that this marvelous little glossy, full-color book by Gordon Kennedy can be ordered here: http://whiteindians.com.
It is about the Guanches, a nobe, courageous, handsome, virtuous, innovative, blond, blue-eyed people who survived until the 1400s intact and still living in the Stone Age.
(Why? There was literally ONLY stone on the islands, made entirely of volcano magma that had cooled. There was literally NO metal AT ALL on those islands, so it was quite impossible to enter the Bronze or Iron Ages, or create metal weapons, shields and body armor so as to defeat the invading Spanish. Also, they were isolated out in the ocean with no external enemies. This is the only reason they did not advance in the art of warfare.)
Here is a picture of one of the incredibly beautiful Canary Islands. (When I lived in Germany and Austria I found out that one of the number-one favorite tourist vacations they take is to the Canary Islands.)
Tenerife and Mount Teide. A powerful ocean current, the Canary Current, sweeps boats straight over to the Caribbean. In the 1700s, somehow, a sailing ship got blown out of the harbor, minus its embarrassed crew, and ended up safe and sound in Venezuela. Nivaria is Latin for “snowy land,” due to Mount Teide. “Nevada” in the United States is Spanish for “snowy land,” due to its snow-capped high mountains.
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……Especially important blogs by John de Nugent
Reincarnation facts
Psychopathy in leaders
https://johndenugent.com/english/they-hacked-my-psychopaths-in-power-article-here-it-is-again/
Jews and Arabs descend from neanderthals
WN bio of JdN
UFOs, the Reich AFTER ’45, and whites as colonists on this planet
The 1917 Van Rensburg prophecy of three world wars — and a German final victory marches toward its fulfillment —
https://johndenugent.com/english/simon-roche-south-africa-the-coming-all-out-race-war-certain-germans-to-the-rescue-trump-wwiii-and-the-visions-of-the-prophet-nicholas-van-rensburg-100-years-ago/
Solutreans “ the white first Americans
Our ancient white Solutrean ancestors in America and around the world
The Jewish murder-war on the Kennedys
LYNDON JOHNSON’S JEWISH MOTHER AND THE 1967 ISRAELI ATTACK ON THE USS LIBERTY
Captain Ramsay’s “The Nameless War” “ how the Jews do revolution
https://johndenugent.com/?s=captain+ramsay
Youtube channel JdN
https://www.youtube.com/channel/UCdM4JLEj28mcxclsqGYiMQA/videos
Normans “ white nordic aristocrats who married with Jews to create the current Judeo-Anglo-American ruling class
White safety zone “ Upper Peninsula of Michigan
White Safety and Heritage Zone — Upper Peninsula of Michigan
White South African tragedy
Hitler’s moral and strategic disaster in Russia
Hitler’s love for the British people
My wonderful British grandfather and his eery return
Part 1 of 2 .https://www.youtube.com/watch?v=tBfrG5aMWj0
Part 2 of 2 .https://www.youtube.com/watch?v=1o3AwvcsDEA
Who really IS JdN?
Hitler’s Landsberg prison cell in 1924
https://johndenugent.com/english/little-white-boy-tears-up-at-beethovens-moonlight-sonata-4-8-mio-views-another-likely-indication-of-reincarnation-who-really-then-is-john-de-nugent-trump-the-thin-reed/
President Putin uses my website to send Trump a message
https://johndenugent.com/english/putin-uses-my-site-to-warn-trump-to-avoid-assassination-by-talmudists-alex-jones-russia-1-and-putin-friend-kiselyov-show-my-website-and-article/
The Obama White House calls me directly with a threat
https://johndenugent.com/english/news/update-why-white-house-hates-me-and-threatened-me-and-friends-amanda-blackburn-rip-miley-cyrus-goes-all-satan-reports-obama-flying-in-syrians-at-night/
The Hebrews of the Bible were roaming criminal hordes
https://johndenugent.com/english/the-original-jewshebrews-were-roaming-hordes-of-feared-criminals-whores-fences-and-killers-called-habiru-the-folly-of-exiling-not-killing-ancient-criminals/
Washington Post blasts JdN
https://johndenugent.com/english/washington-com-post-fake-news-john-de-nugent-and-cohorts-are-defaming-poor-little-leo-frank/
My lady Margaret Huffstickler on Reichsmusik
https://johndenugent.com/english/margis-great-show-on-music-of-the-third-reich/
***
Some interesting coincidences become apparent with Mel Gibson’s film “Apocalypto”.
Aztecs/Mayas/Olmecs(at least the ruling class): Bloodthirsty, “chosen”, hook-nosed, affinity and artwork depicting demonic aliens similar to greys.
Jews: Bloodthirsty, “chosen”, hook-nosed (at least until they finally succeed to breed it out by stealing aryan genes), originated by and telated to grey demonic aliens according to “Die Geschichte des grauen Volkes” (“The history of the grey peoples”).
Has somebody checked if the languages also sound similar? – Mormons supposedly teach or taught that amerindians descend from jews (This would explain nicely the total massacre of the solutreans by amerindians – a very jewish and talmudic undertaking).
One discordant point would be that some investigators associate jews with reptilian aliens, not with greys. There seems to be some confusion here, or perhaps reptilians and greys are more related than we think. I don’t know more about this.
J
This semi-serious graphic says it all:
https://johndenugent.com/images/reptilian-grey-illuminatus-jew-american-hamburger-1024×491.png
The Greys are biorobots under total Reptilian control. They once were an independent and free species, but were captured and genetically modified to be highly intelligent but soulless slaves.
and high-tech genocide is going on now https://www.youtube.com/watch?v=ITpe0Z1LnrY
https://www.unionesatanistiitaliani.it/index.php/radici-d-europa/14-articoli/tradizioni-antiche/88-i-maya
Pensa un po’ cosa adoravano,mi ricorda la Kabbalah,la massoneria e quel gufo trovato sulla Torah.
Quello che risulta strano però sono le strutture piramidali,come quelle sumeriche.
http://web.tiscali.it/toniluigi/medicina/quetzalcoatl.htm
Mi ricorda non solo la storia di Enki ubriacato da Inanna che gli rubò le tavolette del Destino,ma si sovrappone anche a quella di Sigfrido,ingannato da Alberich.
Insomma la storia dei popoli gira intorno a questi due personaggi,(Enki e Marduk).
“Torniamo a Quetzalcoatl.
La sua riforma del culto religioso tradizionale, ivi compresa l’abolizione dei sacrifici umani, doveva ovviamente suscitare il rancore degli altri sacerdoti.
Se ne trova l’evidente traccia nella leggenda secondo cui la sua mistica vita di sacerdote, basata sul digiuno e sull’astinenza, finì quando, ubriacato dai servitori di Tezcatlipocal (dio del male e del cielo notturno, suo rivale e nemico nella creazione del mondo), diede sfogo alla sua passione per la bella Quetzalpétatl (il celibato dei preti ha le sue valide ragioni).
Per essere caduto in peccato, abbandonò piangendo (Tula) seguito dalla sua gente.
Si fermò a Cholula dove gli venne eretto un tempio le cui poderose rovine esistono tuttora.
Giunto infine sul Golfo del Messico, Quetzalcoatl si congedò dai suoi promettendo che lui e i suoi discendenti(..)sarebbero tornati un giorno a riconquistare il potere ed a portare una nuova età dell’oro, dopodiché sali a bordo di una nave magica fatta di pelli di serpenti e partì per la terra favolosa di Tlapallan, la terra del rosso e del nero.
I conquistatori inseguirono in effetti il mito dell’uomo d’oro ( el -hombre- dorado), cioè il mito dell’Eldorado, illudendosi di aver trovato il regno favoloso nella regione di Bogotà,in Colombia.
In questa zona l’oro veniva usato senza parsimonia, talvolta associato con il rame in una lega detta tumbaga; gli altri metalli erano quasi completamente sconosciuti.
Secondo un’altra variante, Quetzalcoatl si gettò in un rogo trasformandosi nell’astro del mattino chiamato Tlahuizcalpautecuhtli. E’ tuttavia la prima variante, con l’insita speranza in un ritorno dell’epoca d’oro, che restò viva fra il popolo.”
E siamo tutti qui.
Aztecs sacrificed whites https://www.ancient-origins.net/history/pre-columbian-murals-and-norse-sagas-suggest-vikings-met-aztecs-and-outcome-was-not-pretty-021084
guess vikings can only win against unprotected villages or need Jewish weapons to win
lol racist white guys who want to play the victim and superior people. Did they sacrifice children, yeah. Then the white guy comes and violates and murders uncountable millions. And then they want to play the victim that the jews hate them and everyone is out to get them, when the truth is that they are the attack dogs of the elite.
some aztec and mayans priests sacrifice a couple of children every event, but the white guy will go explode millions of japanese civilians, throw orage at Vietnam people and then go traffic children for the elite. No wonder the majority of people around the globe call you white devils, you kill rob and destroy, but then oh no why do people dislike us.
I stole from third world countries and now instead of revenge third world just want to work. And there is a strong chance you will delete my comment, because you can’t take the truth