A real man — George Lincoln Rockwell

Let me tell you a story from the late stormtrooper and friend of mine, Spiros Lagoulis, a Greek immigrant.

Commander Rockwell swore he would picket the opening of the major Hollyweird movie “Exodus”, which was glorifying the Jews for escaping the [bogus] Holocaust and founding Israel in 1947.

BIG Jew movie: 

Exodus (1960 film) – Wikipedia, the free encyclopedia

				Exodus (1960 film) – Wikipedia, the free encyclopedia Exodus is a 1960 epic war film made by Alpha and Carlyle Productions and distributed by United Artists. Produced and directed by Otto Preminger, the film was based …
				View on en.wikipedia.org	Preview by Yahoo

A busfull of stormtroopers were heading to the Boston world premiere, but the Boston Khazars prevailed upon the Boston PD, and they pulled the bus over and started asking long-winded questions and searching everyone.

The clock was ticking…. 

Rocky under no circumstances would let the Jews boast that the American Nazi Party and Rockwell had chickened out.

So he went there ALL ALONE and faced 50 screaming, spitting, object-throwing khazars, protected barely by some Boston cops.

Spiro Lagoulis told me they were screaming death threats and acting like wild animals, kicking and surging toward him.

Rocky struck right back and defied them to the max. That is the kind of man George Lincoln Rockwell was, 1 against 50.

So anyone who says Rockwell was a Jew has no idea that no Jew would ever stand up like an Aryan to 50 enemy, but instead he attacks only when it is 50 to 1! 

I then wrote to Martin Kerr, chief of staff of www.TheNewOrder.org, which is continuing the work of Commander Rockwell and of his successor, Matt Koehl.

Aging Jewish singer/songwriter Bob Dylan, long an outspoken anti-White racist, has given an interview which appears in the October 2012 issue of Rolling Stone magazine, in which he says that the stigma of slavery has ruined America forever. Yawn.

”

Bob Dylan” was born as Robert Zimmerman 71 years ago.(1) His comments come as he releases a new album and prepares for a new tour, so perhaps they are deliberately designed to stir up some controversy and garner him some free publicity. But maybe not, as Dylan/Zimmerman has a long history of anti-White provocation.

Dylan is at heart a shameless egoist and self-promoter. Many of his songs are concerned with romantic entanglements and other non-controversial topics, but often he has chosen to give an ideological cast to his lyrics, and this cast as always been harmful to White racial interests.

Early on in his career he was a Marxist, or at least sympathetic to Marxism (a “fellow traveler,” as they were termed at the time). Later he briefly dabbled in Christianity, before returning to his deep, deep Hebraic roots and becoming a financial supporter to the Jewish Defense League. But it is the music from his early period which stands out for its anti-White sentiments.

His song “Blowin’ in the Wind” (1963) was the anthem of the Negro Civil Rights movement, while his single “The Times They Are A-Changin'” (1964) became the marching song of the Jewish-led “Counter-Culture” of the 1960s. In “With God on Our Side” (1964), he indicted all of America.

In this song he correctly noted that Americans historically have believed that God was on their side in every war. What he did not note was that, basically, all countries feel the same way in all wars. Although an assault on America, he managed to squeeze in a few lines about the Holocaust, thereby attacking the German people, a racial enemy of the Jews for whom they feel special hatred:

“They murdered six million.
In the ovens they fried … “

That is an irreverent tone for a subject that the Jews hold in such solemnity, and if a non-Jew had sung those words he would have been castigated as an anti-Semite — but Dylan, as a Jew, can get away with it.

But perhaps Dylan’s most telling anti-White lyric was a reference to American Nazi Party Commander George Lincoln Rockwell.(2) Here is how Wikipedia describes it in its entry “George Lincoln Rockwell”:

George Lincoln Rockwell was also mentioned in the lyrics to the Bob Dylan song “Talkin’ John Birch Paranoid Blues.” In the lyrics to the song, the narrator accuses Abraham Lincoln and Thomas Jefferson of being Communists, and claims that the only “true American” is George Lincoln Rockwell. Quoting the lyrics, “I know for a fact that he hates Commies because he picketed Exodus.”

The song references a famous incident in American NS history. The film Exodus was a sentimental romanticization of the foundation of Israel. In it, the Jewish hatemongers, terrorists and mass-murderers who founded the Zionist entity in Palestine are portrayed in heroic, sympathetic terms.

Rockwell had planned a major ANP pcicket of the film’s Boston premiere in January, 1961. However, Rockwell’s base of operations was in Arlington, Viriginia, and the ANP lacked the logistical resources to successfully pull off a major operation so far away. The night of the opening saw some 10,000 anti-NS Jewish demonstrators waiting for Rockwell in front of the theater. Rockwell, with only five other Party members in mufti, approached the entrance to the theater without attracting notice. With typical courage and effrontery, Rockwell then cast off his overcoat, revealing his brownshirt uniform, complete with Swastika armband. “Well, Jews, here I am!” he declared.

After a moment of stunned silence, the frenzied mob fell on Rockwell and his handful of bodyguards with murderous fury. Only the timely intervention of a flying wedge of “tough Irish cops” (as Rockwell termed them), saved him from serious injury or death.(3)

Later, Rockwell spoke with reporters. One naively asked him why he chose to wear the Swastika, which the reporter termed a “German symbol.” Rockwell replied that while the Swastika had been the symbol of Germany in the 1930s and 1940s, it had since acquired a wider significance, and was in fact, an anti-Communist insignia.

Dylan, in his song, mocks Rockwell for an ideogical non sequitur: picketting Exodus, he avers, has nothing to do with opposing Communism.

But Rockwell was right, and Dylan was wrong. Communism has always been an expression of the Jewish racial soul. For Rockwell, as for all National-Socialists and most White Nationalists, one cannot be truly and effectively anti-Communist without also being anti-Jewish. Similarly, in opposing the Jews one automatically finds oneself opposing Communism.

In claiming that Rockwell was a real anti-Communist and a “true American” for picketing Exodus, Dylan unintentionally made a statement that was profoundly true.

(1) His Hebrew name is Shabtai Zisel ben Avraham.
(2) Although written in 1962, the song “Talkin’ John Birch Paranoid Blues” was not released until1991.Apparently, Dylan’s Jewish lawyers were worried that the song libeled the John Birch Society, and would expose Dylan and the record company to a potential lawsuit.
(3) For an action photograph of the incident, see Rockwell’s autobiography This Time the World, p. 411.