=================FILMING THE GOD VIDEO ON THE ALLEGHENY RIVER IN FALL FOLIAGE

I have done 15 major videos this year (https://johndenugent.com/videos-of-jdn-speaking) to prepare the launch of the Eternal Solutrean movement. The next is the most important, the God video (which has been in the works in my mind since 1984). Then comes the final, “political” video and the seven-minute teaser “Solutreanism in Seven,” designed to drive people to the full-length videos.

Discussing Massey Harbison, the white mother of three who escaped the Indians with a nursing baby at her breast and went through 17 miles of thorns, valleys and swamps to get back to white civilization after her two older children were killed and scalped.

Massey fainted during both murders, especially when she saw the blood-dripping scalps on an Indian’s belt, but she picked herself up — mentally and physically — and became the only white pioneer woman who was nursing a baby to ever successfully escape the Indians. (The Injuns horribly tortured all whom they recaptured, and often ate them, yes, ATE them.) Massey went on defiantly to have eight more white children, and much of Freeport, Pennsylvania descends from her today. Norman-American and trial lawyer John de May wrote a recent book about how the Indians REALLY acted, and it found no major publisher. BUT I WILL PROCLAIM TRUTH ABOUT THE INDIANS. They were savages, and they were not “noble.” And it was their ancestors who had genocided the original white Solutreans in North America by sheer force of numbers, quantity over quality.

The weather has been marvelous here in western Pennsylania, so we will film more today.

Discussing a truly ominous appearance of chemtrails over the Pittsburgh skies, right over my head, and what it all means.

These chemtrails are full of ARSENIC, aluminum and barium, and no American has given this tyrannical Jewnited Snakes government, FEDZILLA, any permission to change and poison the AIR WE MUST BREATHE. No permission from the sovereign citizens of our country to transform our atmosphere into a giant New World Order science experiment for 1) enabling HAARP to create earthquakes, 2) transform earth’s soil so only GMO crops can grow on it, and 3) create docile, mind-controlled zombies such as we see more and more every day. As my video states, as a boy in the 1950s or 1960s I never saw such long, lingering trails behind jets. The steam vapor (condensation trail, or contrail) dissipated within 30 seconds. And there is no point in creating some white refuge areas anywhere as long as they can poison the very air we breathe everywhere! No, the whole stinking, rotten, literally TOXIC system must go!

Pray for this God video to succeed, because everything is riding on this one video. For we are in the same boat as the desperate officer candidate Zack Mayo in the stirring 1982 film “An Officer and a Gentleman”…..

1) This video has scenes from the movie as well as the wonderful movie theme song “Up where we belong”

2) The Marine drill instructor wants Mayo’s “DOR” (his “Declaration of Resignation” from the officer program for Navy pilots)….and Zak blurts out something very heartfelt, which makes the drill instructor reconsider….. The scene shows Zack realizing he is about to be eliminated, and he cries out in protest …. and in the most profound and moving anguish — as his last chance to avoid elimination and to arise from the muck (Zack Mayo’s mother commited suicide, and he was left to be raised by his drunken, philandering soldier father) is slipping away, then one of his fellow officer candidates also commits suicide:

http://www.youtube.com/watch?v=9tPJwirRWng

His friend Sid, who gave up on his officer aspirations, commits suicide after his girlfriend, who had been angling to be an officer’s wife, ruthlessly dumps him. (I could find this segment only in Italian, but you can easily understand what is going on.)

http://www.youtube.com/watch?v=dH0Z3-RoPlw

This is where white people are now, teetering between giving up and fighting on, with no real where to go but to God, our Creator, and really CHANGE inside. We must convince GOD that we are serious about serving Him and our Folk….and no longer our selfish selves. Then we will win.

The 1982 song “Up Where We Belong,” the theme song of the movie “An Officer and Gentleman,” was the number-one song for three weeks, and is performed brilliantly below by Joe Cocker and Jennifer Warnes.

Of course, most white people are merely of average character and not saints. We are part-angel, and part-disappointment, to ourselves and others. But the vast majority of us are not human devils; with proper leadership, and a commitment to love, not self, we can be uplifted, as that famous song goes:

 

“Love, lift us up where we belong
Where the eagles cry
On a mountain high….”

Here are the full lyrics….

Up Where We Belong

Who knows what tomorrow brings
In a world few hearts survive?
All I know is the way I feel.
When it’s real, I keep it alive.
The road is long,
there are mountains in our way,
But we climb a step every day.

Love, lift us up where we belong,
Where the eagles cry
On a mountain high.
Love, lift us up where we belong,
Far from the world below,
Up where the clear winds blow.

Some hang on to “used to be,”
Live their lives looking behind.
All we have is here and now,
All our life, out there to find.
The road is long,
there are mountains
in our way,
But we climb a step every day.

Love, lift us up where we belong,
Where the eagles cry
On a mountain high.
Love, lift us up where we belong,
Far from the world we know,
Where the clear winds blow. . .

Time goes by,
no time to cry,
life’s you and I,
Alive today!

Love, lift us up where we belong,
where the eagles cry
On a mountain high.
Love, lift us up where we belong,
far from the world we know,
where the clear winds blow. . . .

And here is the song, performed….

http://www.youtube.com/watch?v=DFg0SC9hqeU

“Up Where We Belong” is a song from the 1982 film An Officer and a Gentleman. With music by German-American Jack Nitzsche and Canadian Buffy Sainte-Marie, and lyrics by Will Jennings, it is memorably performed here by the working-class Englishman Joe Cocker and by the Seattle,
Washington singer Jennifer Warnes. It went “platinum’ with two million sales, and became the top song on Billboard for three weeks in 1982.

Clearly, the message is very powerful. It reaches people, and we need to do likewise. The words are by Jennings; legend has, says Wikipedia, “that he got his big break while playing his “last gig” in Nashville. A starving songwriter, ready to go back to Texas, he was trying to auction his PA system when a member of the audience who worked for EMI approached him with an offer.” He went on to win an Academy Award and many other high honors.

THAT is the Aryan mission, to feel that new surge of love, to be uplifted by that love we feel for our sisters and brothers, to realize our divine nature, and the demonic nature of our foe, and prove that obedience to God and LOVE for our brothers by heroic deeds and daily duties.

Carl Jung, the great Swiss-German psychologist, broke with his mentor, the Jew Sigmund Freud, because he did NOT see people as basically full of “id” (inner filth). He saw them as a “mixed bag,” BUT struggling upward toward the light, if only guided to a good path, and with good leaders, role models and protectors of the moral code.

 

At the Natrona Dam on the Belle Rivière

At ALSCO Community Park, Natrona Heights, Pennsylvania (screen shot from iMovies)

Camera layouts for the five shooting locations

Birth of Legends

d.r.

“Although I am unborn, everlasting, and I am Lord of all, I come to my realm of Nature and through my wondrous power I am born. When righteousness is weak and faints, and unrighteousness exults in pride, then my Spirit arises on Earth. For the salvation of those who are good, for the destruction of evil in men, for the fulfillment of the kingdom of righteousness, I come to this world in the ages that pass.”

– 4:6-4:8, Bhagavad Gita – an ancient Aryan spiritual scripture.

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===============ARYAN ORIGINATOR OF THE “ORIENTAL” MARTIAL ARTS

On Martial Arts, Zen, and the Blue-Eyed,

Red-Bearded Barbarian

by “Iranian for Aryans” (http://www.iranianforaryans.com)

JdN: I have met a number of Iranians who live in the USA, are NOT muslim at all, and do not like the mullah regime in Iran. Nor do they prefer judeo-american rule either, but instead wish to return to the values of Iran’s ancient, pre-muslim past, that is, before the violent Arab conquest in the 700s — as a racially Aryan-ruled country. (“Iran” means “Aryanland”, just as does “Eire” — the true Gaelic word for Ireland, and in Greece the verb aristeuein means “to excel”.)

There are still many remnants of Aryan blood in iran today, especially in the northeastern provinces.

Some others, however, are quite dark and semitic-looking….as in this hostile, unfair and imbalanced video, probably shot by a Jew and meant to stir up hate against Iran.

When Arab muslims conquered a country, through polygamy (imprisoning and raping, in their harems, hundreds or thousands of white sex slaves)…..

…..they spread their hook-nosed genes far and wide. I read one stat that may not be true, but it claimed that the Spaniards of today are genetically 20% arabic from the 700 years the Arabs, the Moors, ruled Spain, especially in the south. One can also see this influence in the cruelty in Hispanic culture — the arab, semitic, neanderthalic admixture to white genes.

 

The Israelis are infamous for kidnapping beautiful Slavic girls and molesting them in the bordellos of Tel Aviv, of which there are ONE THOUSAND. It is all part of the neanderthalic urge to avenge themselves on white Cro-Magnons. (https://johndenugent.com/neanderthals-and-semites)

 

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Dedicated to all the Viracochas of the Past, Present, and Future

Throughout history, many conquerors have attempted to destroy the cultures of their defeated enemies. To cite on example, this was seen in the Japanese occupation of Korea (1910-1945), where the public usage of the Korean language and culture were outlawed on Korean soil, and a rewriting of Korean history (through a Japanese bias) was undertaken. Such an attempt at complete eradication of one culture by another has almost always been carried out with brute force and with swift retaliation against any resistance.

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More recently, however, with the manipulation of mass media, entire nations have become subjected to alien ideas by a much more effective method. Whereas previously the brazen invaders would attempt to change their subjects by fiat and coercion, and in the process would expect almost immediate compliance, the new invaders resort to a more subtle and patient technique: social psychology, which in time inculcates regret, shame, and self-loathing (even self-laceration) among the conquered.

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One of the most successful suggestions of this sort of mass brainwashing has been the idea – repeated ad nauseam – that the occupied nations of shared racial stock have nothing to be proud of, that everything worth knowing, studying, and enjoying, has been the product of other races; e.g., the Amerindians taught oneness with Nature, the sub-Saharan Africans have a musical “soul”, etc. The host nation, as a result of decades of “education”, has come to believe that everything – from the very development of civilization to the invention of the inconsequential “doh ‘nob” (i.e., door knob) – has been the product of the creative genius of others, and that the host nation itself has achieved nothing.1 With such dogma has come the glorification of “others”.2 That such a “belief” could be manufactured and then accepted is indeed novel in the annals of history, but that its adherents be the very people whose past attests to the greatest creators, discoverers, and adventurers is not just new, but outright unbelievable!

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It is not the goal of this article to rehash the easily attainable knowledge of this people’s list of achievements, but to add to that list a previously little known fact that will come to many as a serendipitous discovery. For even to those who have “ears to hear and eyes to see”, that is, for those who know that Whites3 had been apotheosized by non-Whites in previous centuries4 and are still idolized, albeit in a round about way today5, it should come as a delightful surprise that the highly-esteemed figure believed to be the inventor of Far-Eastern martial arts was in fact White – Nordic White – and that this man is none other than the very essence of the philosophy of the Far East, especially in Japan.

* * *

Footnotes

1 Not only has it done nothing, as the belief goes, but the host nation has wrecked everything and everyone in its path.

2 The most extreme example of which is the purported grandiosity of Black “achievements”.

3 Not that this needs to be mentioned, but, should any reader have failed to catch on, this is the marginalized group alluded to above.

4 The initial interactions of the Europeans with the New World aborigines revealed that the indigenes gave a god-like status to those with Nordic traits.

* * *

The god-like being that I am referring to is the non plus ultra of not only martial arts, but of Zen Buddhism: Bodhidharma, also known as the “Blue-Eyed Barbarian” (Cleary, J. C., 1988; Cleary, T., 1978; Corless, 1989; Iryŏn, 1972; Reid and Croucher, 1983; Soothill and Hodous, 1969; Yuanwu, 1961) and/or the “Red-Bearded Barbarian” (Cleary, T., 1978; Corless, 1989; Heine, 1996; Yamada, 2004).6

* * *

Footnotes

5 The reader probably needs no reminder of the fact that non-Whites take great pride in having offspring and family members with Nordic features, such as green eyes, light skin, and fair hair.

6 He is depicted in Asian art as a bald-headed, bearded, hairy, bushy eye-browed, round-eyed White man with elongated ear lobes, usually in the stance of meditation covered by a robe.

* * *

As Western students know, Buddhism – which later degenerated into a religion – has been one of the dominant philosophies in practically every nation of Asia. From Iran and to far-away Indonesia, Buddhism has played a role. Unfortunately, what many of them do not know is Buddhism’s Nordic origins. Although these students can allude to innumerous Oriental works of art that portray the Buddha as a Mongoloid, what they fail to realize is that nations that adopt another race’s gods and heroes often end up changing them to resemble their own physiognomies. Consequently, though most depictions of the Buddha show him to be a Mongoloid, some show him in a truer fashion.7

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An example of such racial transformation can be observed in the Korean grotto, Sŏkkuram. There a Buddha with Oriental features is seated in his usual meditative posture with his White disciples in a semi-circle behind him (Adams, 1991). Thus, the Koreans, as late as the 8th century A.D. knew that the Buddha’s original disciples were White, even if they portrayed him as a Korean.8,9

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According to the Chinese, the propagators of Buddhism came from the “Western Regions” (central Asia and India), such as the Kushan Empire10 (c. 1st – 3rd cent. A.D.) whose emissaries arrived via the Silk Road and “contributed vastly” to propagating Buddhism (Grousset, 1970). Most of the translators of Buddhist sutras from Sanskrit to Chinese were also central Asians (Kakhun, 1969)11. The appellations “Blue-Eyed Barbarian”12 and “Red-Bearded Barbarian” 13 were common monikers for foreign monks who proselytized Buddhism among the Chinese (Cleary, J. C., 1988; Cleary, T., 1978; Heine, 1996; Yamada, 2004), a fact born out by the Bezeklik murals (7th-10th centuries A.D.) of Western China which depict Buddhist monks and merchants with just such physical features (Day, 2001).

* * *

Footnotes

7 Liang Kai’s Shakyamuni Emerging from the Mountain (early 13th cent.).

8 The ancient kings of the Silla kingdom (57 B.C. – 935 A.D.) in Korea believed themselves to be of the warrior caste. Therefore, they adopted Buddhist names (Lee, 1969).

9 The Silla capital was named after Buddhist themes, as is modern-day Seoul.

10 It stretched from Tajikistan down to Pakistan and east to northern India.

11 For biographies and achievements of said monks see Zürcher (1972).

12 On page 154 of J. C. Cleary’s work (1988), a fourteenth century Korean poem reads:

Seeing off an Indian Monk

“From India, a true son of Buddha

His bodily existence as free as the white clouds

I entrust these words to the mountains and the waters

You must open your barbarian blue eyes and look.”

13 One translator of sutras into Chinese, Buddhayaśas of Kashmir or Kabul (active 408-412 A.D.), was known as the “Red-Bearded/Red -Mustached/Red-Haired Barbarian” (Pelliot, 1923; Soothill and Hodous, 1969; Werner, 1977).

* * *

The Sage of the Sakas14, “Sakyamuni”15, is known to have had blue eyes, considered to be one physical characteristic of a “Great Man” (Walshe, 1995).

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Bodhitāra (ca. 461-534 A.D.)16 was the third son of the southern Indian17 King “Incense Arrival” (Yüan, 1990), a member of the Ksatriya (warrior-caste) (Broughton, 1999). Converted to Buddhism by his mentor, the 27th patriarch of Buddhism, Prajñātāra (Yüan, 1990), Bodhitāra committed himself to the life of an anchorite shortly after his father’s death. With his name changed to Bodhidharma (“enlightenment-law”), he traveled to China to preach Buddhism.

* * *

Footnotes

14 Or, Scythians

15 Siddhartha Gautama, or, the Buddha

16 Yang, H. C. (1984).

17 Yang, H. C. (1984) says that Bodhidharma was Persian. According to the earliest sources Bodhidharma arrived in China on foot (Dumoulin, 1988; Yang, H.C. 1984), though other sources state that he went by sea (Dumoulin, 1988; Suzuki, 1933; Yüan, 1990), landing in Guangzhou18 à la Lohengrin, in a swan-boat, as depicted in a mural in “The Temple of the Pagoda of the Sixth Patriarch’s Hair.”

* * *

Though he arrived in southern China, his final destination was in the north. In order to get there, however, he had to cross the Yangtze River “miraculously” by standing on a single reed19 (Broughton, 1999; McFarland, 1987; Wang, 1988), a feat commemorated in many Far Eastern works of art. Having crossed the Yangtze, he traveled to the Shaolin Temple.

Shaolin Temple, Dengfeng Province

Like many other important Buddhist temples and pagodas, the Shaolin Temple (“little – or young – forest”), was founded by and dedicated to a non-Chinese monk, the Indian Buddhabhadra or Ba-tuo, in 496 A.D. (Broughton, 1999; Wang, 1988). The Shaolin Temple is known as the home of martial arts. One can open up any martial arts manual or work and as a preface to the art, there will be an expostulation of its history. All books or manuals on this peculiarly “Eastern” art – bar none – should they include its history, attest to the same place of origin and founder, the Shaolin Temple and Bodhidharma. It is remarkable that Whites do not know that this most “Oriental” art is in fact White in origin. Orientals, however, do!

Bodhidharma’s stay at the Shaolin temple proved to be quite fruitful. Early on, having noticed that the monks lacked vigor and physical prowess, he introduced stretching and breathing exercises (Yang, J.-M. 1989). Out of this initial practice grew eventually the art of fighting with fists, feet, and weapons. Bodhidharma is also believed to be the inventor of tea20 (McFarland, 1987; Red Pine, 1989). Legend has it that one day he fell asleep during meditation and was so angered at his weakness that he caught off his eye lids. His tears fell on the ground and grew into tea bushes; hence, the tradition of monks drinking tea to stay awake during meditation (McFarland, 1987; Red Pine, 1989).

* * *

Footnotes

18 Canton

19 Addiss (1989) claims that “reed” is a mistranslation of “reed boat”.20 Another Chinese legend claims Shen Nung (ruled ca. 2737 B.C.) discovered tea (Werner, 1977; Yü, 1974).

* * *

More important than martial arts to the Far East was Meditation Buddhism. Meditation – Dhyāna (in Sanskrit), Chan (in Chinese), and Zen (in Japanese) – Buddhism became another hallmark of the Shaolin temple. In this version of Buddhism, meditation is the sole source of enlightenment. Incantations, good deeds and prayers do not amount to a hill of beans. Perhaps Bodhidharma summed it up best in his famous dialogue with the Chinese emperor Wu of the Liang dynasty (Broughton, 1999; Suzuki, 1961; Yüan, 1990):

Emperor Wu: “Since my accession to the throne, temples have been built, scriptures copied, and monks saved without number. What kind of merit has been accumulated?”

Bodhidharma: “No merit.”

Emperor Wu: “Why no merit?”

Bodhidharma: “Such deeds bear but small fruits of the human and heavenly worlds, and are causes of births and deaths. They are like shadows following objects. They look as if they exist but have no reality.”

Emperor Wu: “Then what is true merit?”

Bodhidharma: “The pure wisdom is wonderfully complete, and the nature of its essence is immaterial. Such merit as this is not to be sought by worldly means.”

Emperor Wu: “What is the first principle of the Sacred Teaching?”

Bodhidharma: “It is vastness itself. There is nothing holy.”

Emperor Wu: “Who is speaking to me?”

Bodhidharma: “I don’t know.”

The Emperor could not understand these words of the Master.

During his tenure at the Shaolin temple, Bodhidharma was said to have migrated up the side of a mountain and spent nine years in meditation (Broughton, 1999; Red Pine, 1989; Wang, 1988; Yüan, 1990; Yuanwu, 1961). He was so sedulous, the legend further claims, that during meditation his arms and legs fell off, the intense stare of his eyes bore holes into the cave wall, and his body left its shadow on the wall (McFarland, 1987; Wang, 1988). To commemorate this patron of meditation, the “Blue-Eyed Demon”, many artists dedicated artwork, stellae, a gate (with the inscription “Where meditation leads to wonder”), and a very large statue of a very un-Chinese looking monk, built in 1997.

In time Bodhidharma’s Chan Buddhism spread throughout China and to neighboring Korea where Chan became Sŏn, and the Chinese name for Bodhidharma, Damo, became Dalma. In Korea, the 28th patriarch of Buddhism, in direct succession of the Buddha, has a mountain and temple named after him.21

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As Chan or Sŏn Buddhism spread across Asia (even to Tibet and Vietnam22,23), it made its way to Japan. During the 12th and 13th centuries Bodhidharma’s fame reached Japan where he was renamed Daruma and his esoteric philosophy became known as Zen Buddhism (Dumoulin, 2005; McFarland, 1987; Suzuki, 1953).

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Footnotes

21 Grand Master Jhoon Rhee wrote, “I set my goal to introduce Tae Kwon Do (a Korean martial art) in America, because I fell in love with American blonde movie stars”; see http://www.jhoonrhee.com/philosophy.html.

22 According to Thích Nhât Hanh (2001), a “Vietnamese” monk, Tang Hôi, and not Bodhidharma, first brought Meditation Buddhism to China. Interestingly, Thích Nhât Hanh states that Tang Hôi’s father was Soghdian. Soghdians are Nordics as depicted in the Bezeklik murals (Day, 2001; Mallory and Mair, 2000).

23 Both monks and nuns use the term Thích (pronounced “tit”) as a titular prefix to their names in order to denote that they belong to the Saka tribe of the Buddha (Dung, 2006). This is also done in China, Korea, and Japan.

* * *

The island nation’s new religio-philosophical orientation would eventually permeate every aspect of its culture: its gardening (stone and rock landscaping), its elaborate and rigidly structured ceremony of tea-drinking and tea ceramics, its architecture, calligraphy, drama (Nō), paintings,24,25 poetry,26 flower arrangements, even it popular pastimes27 (Dumoulin, 2005; McFarland, 1987; Suzuki, 1953).

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Zen became the foundation stone for not only Japanese martial arts (especially archery and swordsmanship;28 Dumoulin, 2005; McFarland, 1987), but also for the Japanese code of chivalry, Bushidō (“The Way of the Warrior”) (Dumoulin, 2005). Many disciples of Bushidō, better known as the Samurai29, among them their most famous member, Miyamoto Musashi (1584-1645; Dumoulin, 2005; McFarland, 1987), were Zen artists.30 The Samurai had paintings of Bodhidharma even on the hilt guards of their swords (McFarland, 1987).

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Even wishing for something desirable became associated with the Bodhidharma cult. While wishing, one eye of a Bodhidharma head-doll31 is colored black, and if the wish later came true, the other eye would be colored (the same color). Other examples of the cult included Bodhidharma toys with a Zen adage, bawdy paintings depicting Bodhidharma, and eggplants and snowmen (“Snow Daruma”) thought to represent Bodhidharma in meditation (Addiss, 1989; McFarland, 1987).32

* * *

Footnotes

D24 “The commonest subject of paintings in Japan is Mt. Fuji and Bodhidharma” (Awakawa, 1970, page 31).

25Even Chinese painting was influenced by Meditation Buddhism (Suzuki, 1953).

26 Bashō (1644-1694), the greatest writer of haiku, was a Zen devotee (Suzuki, 1953).

27 such as smoking, where the tobacco industry made Bodhidharma the “wooden Indian of Japan” (Scherer, 1933)

28 The popular “light saber” wielding Jedi in Star Wars movies are derived from the Japanese martial art of sword fighting, which is influenced by Zen, and thus, Bodhidharma.

29 If one looks carefully at the Samurai in Japanese paintings, one will notice their very decidedly un-Mongoloid features: oval-faces, noses inclining to aquilinity, and beardedness. The Japanese – and in lesser numbers, the Korean – ability to grow full beards is also telling of ancient White admixture.

30 This list also included Japanese emperors and shoguns (McFarland, 1987).

31 These are found even in China, Korea, and India (McFarland, 1987)!

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There are even Bodhidharma temples, an association, festivals, and markets (McFarland, 1987).

(Bodhidharma by Hakuin Ekaku (1686-1769). It reads: “Zen points directly to the human heart. See into your nature and become Buddha.”)33

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Not all of the claims of Bodhidharma’s accomplishments go unchallenged. There is a debate on whether or not he even existed and that he ever authored any of the tracks attributed to him. Skeptics deny that he introduced martial arts to the Far East.

* * *

Footnotes

32 Dr. Gabi Greve has exhaustively cataloged an encyclopedia of Bodhidharma-ana at “http://darumasan.blogspot.com/”.

33 Jesus also said, “The Kingdom of God is within you.” (Luke, XVII: 21)

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Chinese nativists asseverate that the art is indigenous to China; maybe, but then, maybe not. As most ancient works point to southern India as Bodhidharma’s birthplace, it is quite fitting to find that not only did it house the great Buddhist Empire of the Pallava34,35,36 Dynasty37,38,39, but that there is also a martial art40 native to that region: kalarippayattu41,42 (Zarrilli, 2003).

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In the final analysis, even if Bodhidharma was nothing more than a will-o’-the-wisp, a pious wish of Buddhists to justify themselves and give themselves airs, the fact remains that many peoples of the Orient, especially the Japanese, venerate this figure, a White man!

It has already come to light among interested Whites that the aborigines of the New World are beholden to such mythic figures as Quetzalcoatl, Kukulkan, Kon-Tiki Viracocha, et al.43 (Gordon, 1971; Heyerdahl, 1953, 1960, 1976; Keeler, 1960).44,45,46

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Footnotes

34 According to Abbas (2003), the Pallavas were Parthians who hailed from Iran.

35 Some might have noted the similarity of Pallava to the Iranian Pahlavi; a form of Middle Persian and the surname of the last shah.

36 Abbas (2003) states, “The Parthian origin of Pallavas also provides an explanation for the presence of tall, fair-skinned members of non-Brahmin castes in Tamil Nadu and other Dravidian states.”

37 It capital was Kanchipuram: “one of the most important strongholds of Indian Buddhism” (Zvelebil, 1987). It was also a center of great learning, missionary activity, and pilgrimage. In fact, it was even visited by famous Chinese monks.

38 Zvelebil (1987) claims that Bodhidharma was a contemporary of either the Pallava king Skandavarman IV (460-480 A.D.) or Nandivarman I (480-510 A.D.)

39 Zvelebil (1987) also makes note that Hakuin’s famous, formerly believed to be self-invented, koān (a Zen saying used to invoke spiritual awakening) is also found in southern Indian adages. He believes that this could not have been an indigenous Japanese creation, but one derived from India’s Buddhist Empire.

40 Actually, there is more than one martial art native to that region: silambam or stick fighting is another (Raj, 1975).

41 Though this art was crystallized in the eleventh or twelfth centuries A.D. (Zarrilli, 2003).

42 According to Reid and Croucher (1983), there is a “high degree of correlation” between the ancient Indian and modern Chinese and Japanese teachings concerning the locations of 107 or 108 vital spots on the human body used to injure or kill an opponent.

43 Many non-Whites (from Canada to the jungles of South America and out to both Polynesia and Melanesia) have myths about Nordic culture heroes enlightening them.

44 Stunningly, Mayan noblemen are shown wearing fake goatees and artificial aquiline noses to symbolize their nobility (Bailey, 1994).

45 On page 100 of Unexpected Faces in Ancient America (1975), von Wuthenau writes, “In an oligarchic society the reliance on correct racial descent was of the utmost importance and probably led to a strange custom by the Maya of building up the protruding curvilinear line of their noses by artificial means. The nobler the individual, the finer and more pronounced the nose. In more vulgar modern language, we could say the Maya had a “Mayflower complex.”

Throughout history, Whites have played the most pivotal role in the world. Isn’t it about time that this fact became known, especially during this very dark period, that the White world, rather than being ashamed of it, should declare proudly and forthrightly, “We Are the World!”?

References

Abbas, Afsar. (2003). Pallava Empire of Dravidia. Retrieved on July 26, 2007, from http://www.iranian.com/History/2003/May/Pallava/index.html.

Adams, E. B. (1991). Korea’s Golden Age: Cultural Spirit of Silla in Kyongju. Seoul: Seoul International Publishing House.

Addiss, S. (1989). The Art of Zen. New York: Harry N. Abrams, Inc.

Awakawa, Y. (1970). Zen Painting. (Trans. J. Bester). Tokyo: Kodansha International.

Bailey, J. (1994). Sailing to Paradise: The Discovery of the Americas by 7000 B.C. New York: Simon & Schuster.

Broughton, J. L. (1999). The Bodhidharma Anthology: The Earliest Records of Zen. Berkeley: University of California Press.

46 Recently, Saturno (2006) discovered the oldest Mayan mural (1st c. B.C.) yet found that depicts a nobleman as the Corn God donning a fake goatee. Though the Mayan has a wisp of a black moustache, his artificial goatee is red; see “http://isepp.org/Pages/06-07%20Pages/Saturno.html”.

Biblography

Cleary, J. C. (1988). A Buddha From Korea: The Zen Teachings of T’aego. Boston: Shambhala Publications, Inc.

Cleary, T. (1978). Sayings and Doings of Pai-chang: Ch’an Master of Great Wisdom. Los Angeles: Center Publications.

Corless, R. J. (1989). The Vision of Buddhism: The Space Under the Tree. New York: Paragon House.

Day, J. V. (2001). Indo-European Origins: The Anthropological Evidence. Washington, DC: Institute for the Study of Man.

Dumoulin, H. (1988). Zen Buddhism: A History. Volume 1: India and China. (Trans. by J. W. Heisig & P. Knitter). New York: Macmillan Publishing Company.

Dumoulin, H. (2005). Zen Buddhism: A History. Volume 2: Japan. (Trans. by J. W. Heisig & P. Knitter). Bloomington, IN: World Wisdom, Inc.

Dung, T. P. (2006). A letter to friends about our lineage. Retrieved on August 11, 2006, from http://www.plumvillage.org/general/spiritual%20lineage.htm

Gordon, C. H. (1971). Links Between the Old World and Ancient America. New York: Crown Publishers, Inc.

21

Grousset, R. (1970). The Empire of the Steppes: A History of Central Asia. New Brunswick, NJ: Rutgers University Press.

Nhât Hanh, T. (2001). Master Tang Hôi: First Zen Teacher in Vietnam and China. Berkeley: Parallax Press.

Heine, S. (1996). Putting the “Fox” back in the “Wild Fox Koan”: The intersection of philosophical and popular religious elements in the Ch’an/Zen koan tradition. Harvard Journal of Asiatic Studies, Vol. 56 (2), pp. 257-317.

Heyerdahl, T. (1953). American Indians in the Pacific: The Theory Behind the Kon-Tiki Expedition. Chicago: Rand McNally.

Heyerdahl, T. (1960). Aku-Aku: The Secret of Easter Island. New York: Pocket Books.

Heyerdahl, T. (1976). Fatu-Hiva: Back to Nature. New York: New American Library.

Keeler, C. (1960). Secrets of the Cuna Earthmother: A Comparative Study of Ancient Religions. New York: Exposition Press.

Kakhun. (1969). Lives of Eminent Korean Monks. (Trans. by P. Lee). Cambridge: Harvard University Press.

22

Iryŏn. (1972). Samguk yusa; legends and history of the three kingdoms of ancient Korea. (Trans. by T.-H. Ha & G. K. Mintz). Seoul: Yonsei University Press.

Mallory, J. P. & Mair, V. H. (2000). The Tarim Mummies: Ancient China and the Mystery of the Earliest People from the West. London: Thames & Hudson.

McFarland, H. N. (1987). Daruma: The Founder of Zen in Japanese Art and Popular Culture. Tokyo: Kodansh International Ltd.

Pelliot, Paul. (1923). Notes sur quelques artistes des Six Dynasties et des T’ang. T’oung Pao, Vol. 22, pp. 215-291.

Raj, J. D. M. (1975). Silambam Fencing. Eugene, OR: University of Oregon Press.

Red Pine. (1989). The Zen Teaching of Bodhidharma. San Francisco: North Point Press.

Reid, H. & Croucher, M. (1983). The Way of the Warrior: The Paradox of the Martial Arts. Woodstock, NY: The Overlook Press.

Saturno, William. (2006, January). The dawn of Maya gods and kings. National Geographic, 209 (1), 68-77.

23

Soothill, W. E. & Hodous, L. (1969). A Dictionary of Chinese Buddhist Terms. Taipei: Ch’eng-Wen Publishing Company.

Suzuki, D. T. (1933). Essays in Zen Buddhism (Second Series). London: Luzac and Company.

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Suzuki, D. T. (1961). Essays in Zen Buddhism (First Series). New York: Grove Press, Inc.

Von Wuthenau, A. (1975). Unexpected Faces in Ancient America. New York: Crown Publishers, Inc.

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24

Yamada, K. (2004). The Gateless Gate: The Classic Book of Zen Koans. Somerville, MA: Wisdom Publications.

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Yang, J.-M. (1989). Muscle/Tendon Changing and Marrow/Brain Washing Chi Kung: The Secret of Youth. Jamaica Plain, MA: Yang’s Martial Arts Association.

Yü, L. (1974). The Classic of Tea: Origins & Rituals. (Trans. by F. R. Carpenter). Hopewell, NJ: The Ecco Press.

Yüan, T. (1990). The Transmission of the Lamp: Early Masters. (Trans. by S. Ogata). Wolfeboro, NH: Longwood Academic.

Yuanwu. (1961). The Blue Cliff Records. (Trans. by R. D. M. Shaw). London: M. Joseph.

Zarrilli, P. B. (2003). When the Body Becomes All Eyes: Paradigms, Discourses, and Practices of Power in Kalarippayattu, a South Indian Martial Art. New Delhi: Oxford University Press.

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25

Zvelebil, K. V. (1987). The sound of the hand. Journal of the American Oriental Society. Vol. 107 (1), pp. 125-126.

The author would like to thank “AP” and “JKAS” for their humor and emendations.

=======FOUR TEXAS BLACKS GANG-RAPE ELDERLY WHITE MAN

http://cofcc.org/2011/11/four-black-men-gang-rape-elderly-white-man/

Black on white crime is getting more horrific by the day. In Texas an elderly white man was abducted and gang-raped by four black men. The perpetrators yelled racial slurs at the victim.

If the races were reversed, this would be the single biggest news story in the United States of America for the next several days. Instead it will be slept under the rug and hidden from the public. We need you to get the word out about this horrific racially motivated attack. Post links on craigslist rants and and other site. Share this story on facebook and twitter.

========VISITORS

===================”Aryan” means self-sacrifice, not pasty-white skin! 😉

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