EXCLUSIVE: “Cultural appropriation” by us Whites? It’s what Blacks and Jews do best!

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by JdN staff writer. This is some of the best anti-Left wing ammo I’ve read in ages. Remember: ALWAYS arrive armed – with facts, figures and force.
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If you like this exclusive article, and others that we publish on a daily basis – that John is paying for while he develops his new spiritual organization – then please write to John at john_denugent@yahoo.com to learn how you can help us. John would genuinely love to hear from you so that you can set up a private SKYPE conversation where he can explain his vision, and you can help him achieve his goals. We are this close to a new noble age.
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Our people need you NOW more than ever.
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I’ll admit it, I’m in a pretty ornery mood.
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Who wouldn’t be?
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The world is truly going to hell in a hand-basket (please see below for a brief piece on where this idiom comes from) and it looks as though things are going to get a whole lot worse before getting better.
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This week we’ve seen policemen, who risk their lives to protect ghettos from ghetto scum, being vilified for shooting criminals who, in one instance, were in the act of attempting murder.
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The fact that the last three high-profile police shootings resulted in the deaths of 1.) a man who was evading arrest after holding up and choking a black female at gunpoint, 2.) a kid who’d shot at people in a house and car during a “Latin” gang initiation ceremony, and 3.) a girl who was LITERALLY in the act of stabbing a fellow Black with a 6-inch carving knife, has not stopped the “woke brigade” from calling for the respective cops’ lynchings – something that’s apparently referred to as “hashtag” #accountability now.
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The American professional basketball-player and leucophobe racist, LeBron James, after learning about the Columbus, Ohio cop who’d shot a 16-year-old girl after she attempted to stab another ghetto savage outside her foster home, immediately took to Twitter to call for vengeance.
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Literally!

Now, because of the evil making the rounds on social media – evil that’s actively beings PROMOTED by the Biden Administration’s Jen “circle back” Psaki – that officer who also moonlights as a volunteer and sharpshooter in the Army National Guard, faces an investigation into his actions.
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…..in spite of the fact he did nothing wrong.
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….apart from saving the life of another savage, that is.
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My only question to him would be, why didn’t ya wait until AFTER Ma’Kiya Bryant had already stabbed her friend?

(The first name is pronounced like macchia – which means “stain” in Italian. Think the “macchia” in macchiato)
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You’d have been exonerated immediately and we might have TWO less murderers in our midst instead of one.
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Two birds, one clip from where I’m standing.
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Although “King James” – as the savages and mainstream media refer to him – deleted the racist, threatening Tweet once he was called out for it, he refused to apologise and added that he “only pulled it” as he felt it was “resulting in more hate”.

Ya think, “Jester” James?
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I’m certain the “hatred” James was referring to was not the hatred he incited against Whites and cops, but the backlash he’d received for such an evil Tweet.
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Then, there’s the video I watched after dinner last night – I’ll paste it below – showing a black student (never have two words been used together with more disdain for one another) terrorizing some sniveling white hipster kid for daring to sport “dreadlocks” to class.
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Not only did she berate the misguided kid for what the lefties and their black slaves refer to as “cultural appropriation” or “culture vulturing” – that like the terms “safe-spaces”, “triggering” and “white-privilege” have been invented SOLELY to attack people of European origin – the black perp literally physically assaulted someone for what amounts to having grimy hair while being white.
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Sure, there are some misguided, white kids that wear their hair like the black rappers they emulate – because sadly, our men have been so emasculated by our society that one has to look up to empowered nogs or 8th century fictional Vikings for a bit of testosterone-by-association – but to think you’re justified in attacking a fellow student for his haircut. What in God’s name has become of this declining nation?
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It is obvious if you open your eyes. We have been under relentless attack from Hollywood, the mass media, the political elite for almost a century now. The ravaging effects of Cultural Marxism combined with uncontrolled mass immigration and empowerment of Black America – all orchestrated by one cabal of supremacists – have destroyed this country.

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So….what is “cultural appropriation”?
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According to Wikipedia, my go-to source for left-wing evil:

“Cultural appropriation is the adoption of an element or elements of one culture or identity by members of another culture or identity. This can be controversial when members of a dominant culture appropriate from disadvantaged minority cultures.
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According to critics of the practice, cultural appropriation differs from acculturation, assimilation, or equal cultural exchange in that this appropriation is a form of colonialism. When cultural elements are copied from a minority culture by members of a dominant culture, and these elements are used outside of their original cultural context—sometimes even against the expressly stated wishes of members of the originating culture – this is cultural appropriation”

Yep, you read that right, it’s only when the “dominant culture” borrows something from an “oppressed group” 😉
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According to “cultural and racial theorist, George Lipsitz” (what are the chances!!!!) the term is based on what he refers to as “strategic anti-essentialism” or “the calculated use of a cultural form, outside of one’s own, to define oneself or one’s group”.
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Wikipedia explains 🙂 that,

“Strategic anti-essentialism can be seen in both minority cultures and majority cultures, and is not confined only to the use of the other. However, Lipsitz argues, when the majority culture attempts to strategically anti-essentialize itself by appropriating a minority culture, it must take great care to recognize the specific socio-historical circumstances and significance of these cultural forms so as not to perpetuate the already existing majority vs. minority unequal power relations.”

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Once again, it’s just another manufactured term, used to attack Whites, and coined as always by the Lipsitzes of thus world….
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Let’s imagine that we lived in a genuinely just world where people exploiting someone else’s culture and achievements – where it matters not whether the user is the “oppressor” or the “oppressed” (aren’t achievements the people derive benefit from FAR more important than sporting nappy dread locks?) – for profit are vilified and held to account.
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Where people that steal from the race of people they hate most are called out for their evil…
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Firstly, let’s look at the Japanese to understand what’s NOT cultural appropriation. Although they often borrow our ideas, they do so without malice in their hearts. Therefore, this should not be deemed as cultural appropriation.
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Sure, the Japanese have nicked baseball as they have many of the inventions our great men have created, but they’ve done so with respect and even at times have made ’em better – all while revering the Western whites that first created them.

Maybe, the Japanese might not be as creative as we are, but they are brilliant in their own right and an exceptional people who’ve given a lot to the modern world.

They were the first to digitally record film, inventing the DVD and DVD player.

They invented the video and digital camera, as well as the first portable stereo. They were the first to digitally record music and created the Compact Disc (CD), which was a vast improvement on our records and cassette tapes. They invented the first Video Tape Recorder (VTR or VCR), as well as electronic calculators, etc.
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Their cars are, in all fairness, on average more reliable and perform better than ours (both American and European), especially when one takes price into account.

The Acura NSX, many of their supercars and and high-performance motorcycles, blow ours out of the water in terms of performance (5 of the 7 best bikes in MotoGP are Japanese made), while costing a fraction of the price. They might not have the style or heritage of a Ferrari or Aston Martin, but, make no mistake, they’re brilliant. What they’ve done with trains too is remarkable…. I could go on and on. Then there are their video games, martial arts, unique heritage of the Samurai and Ninja, the best swords the world has ever seen, and their unique culture, which I personally very much admire.
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And again what makes them amenable as a people is the fact that they are HAPPY that we appreciate their gifts to humanity and actually “like us” as a people – in spite of the fact we nuked them at the behest of our evil masters and have been pretty bad to them since the Second World War.

For a small island nation with only 125 million souls they’ve given the world a lot! Let’s give credit where credit is due. Then there’s the fact they are fiercely nationalistic, they don’t do Feminism or Rainbow evil and are as red-pilled on most issues as only our best people are.
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And besides….we at johndenugent.com like the Japanese!!
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There are two groups that immediately come to mind – groups that have literally created nothing of value themselves, while enriching themselves at our expense as they attack us – that are most guilty of cultural appropriation. They revile us while they infect us, steal from and oppress us while they shoot and kill us. Blacks and the Jews.
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Sure, a “whigger” who wears his pants down low and bumps Eminem and “50 Cent” from his “ride” is appropriating black style

However, what of the demons in Tinsel Town who generate billions of shekels off the blood, sweat, tears and brilliance of their host culture, its people and their civilization’s greatest achievements?
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….all while preying upon them and refusing to compensate them for their brilliance.
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I first think about the scores of Hollywood film companies that that have ripped off Hans Christian Andersen for over a century now – and continue to do so – that haven’t paid a penny to the incredible man’s descendants or the foundation that was set up in his name in his homeland.
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Why aren’t the demons behind the forthcoming Little Mermaid “live action film”, directed by Rob Marshall (Jew) from a screenplay penned by Jane Goldman (another Jew) and David Magee (presumably a gentile of Irish ancestry. Still not Danish….) and set to music by Lin Manuel Miranda (an anti-white Puerto Rican racist), paying to exploit the story?
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Why isn’t Disney (at the time run by a Jew) sending the Hans Christian Andersen Foundation royalty checks for the BILLIONS they have made off the animated 90s film (produced by a homosexual Jew that died of AIDS)?
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Make no mistake. The vast majority of the people that got rich off the Little Mermaid, as well as the film Frozen (a horrid feminist corruption of Andersen’s tale, the Snow Queen), were Jewish, and CERTAINLY NOT DANISH.
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Now THAT’S what I call cultural appropriation!!
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This though shouldn’t surprise anyone.
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The real reason Jewish criminals that built the modern entertainment industry ventured to Hollywood in the first place had nothing to do with the natural “lighting” and good weather, as Hollywood historians claim. It was so New York based Jewish crooks could bypass paying Thomas Edison for his inventions!
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Lawrence Lessig, author of the excellent 2004 book, Free Culture, writes:

“The Hollywood film industry was built by fleeing pirates. Creators and directors migrated from the East Coast to California in the early 20th century in part to escape controls that film patents granted the inventor Thomas Edison. These controls were exercised through the Motion Pictures Patents Company, a monopoly “trust” based on Edison’s creative property and formed to vigorously protect his patent rights.
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California was remote enough from Edison’s reach that filmmakers like Fox and Paramount could move there and, without fear of the law, pirate his inventions. Hollywood grew quickly, and enforcement of federal law eventually spread west. But because patents granted their holders a truly “limited” monopoly of just 17 years (at that time), the patents had expired by the time enough federal marshals appeared. A new industry had been founded, in part from the piracy of Edison’s creative property.”

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The vast majority of these men were Jewish.
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A reference to an article by Thaddeus Russell I found in the Christian Science Monitor contained the following fascinating snippet on the origins of Hollywood. In spite of it being conspicuously pro-Jewish and biased against Thomas Edison, only someone with an evil mind and half of one at that, would come away from reading this excerpt still thinking the “Jewish renegades” were the heroes of this sordid Hollywood tale….

“Soon after he invented the motion picture camera and projector, Thomas Edison formed his own movie production and distribution company.

In 1908, Edison joined with nine other film companies to form the Motion Picture Patents Company, a monopoly that attempted to control the making, distribution, and showing of all movies in the United States.

Edison and “The Trust” pledged to make only movies that promoted wholesome, Christian, and “American” values.

But on the Lower East Side, a group of entrepreneurial Jewish immigrants used Edison’s inventions to produce and screen their own films, which were shown in thousands of nickelodeons – five-cent movie theaters – in working-class neighborhoods all over the country.

These “outlaw” filmmakers started out as vaudeville and burlesque promoters, and many of their movies were sexier, more violent, and far more entertaining than the bland fare put out by the Edison monopoly.
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The great inventor was furious that “Jewish profiteers” were stealing his patent, getting rich from it, and using it to spread “smut” across America. So too were law enforcement officials.

In 1907 a judge in Chicago wrote that the nickelodeons “caused, indirectly or directly, more juvenile crime coming into my court than all other causes combined.”

Shortly thereafter the Chicago city council passed an ordinance granting power to the chief of police to censor motion pictures played in the city. In New York in 1907, soon after the police commissioner recommended that nickel shows be wiped out entirely, Mayor George McClellan was so moved by the evidence of immoral motion pictures polluting the minds of his citizens that on Christmas Day he ordered that all of the illicit motion picture houses be shut down.
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Moral condemnations and court injunctions didn’t stop the proliferation of nickelodeons that showed unseemly fare and violated Edison’s patent, so the inventor and his colleagues hired squads of thugs to shut them down.

They seized film, beat up directors and actors, forced audiences out of theaters, smashed the nickelodeon arcades and set fire to entire city blocks where they were concentrated.

But fortunately for the Jewish renegades, they lived and operated in neighborhoods where hundreds of soldiers stood ready and able to protect them – men like “Big” Jack Zelig, “Lefty Louie” Rosenberg, “Gyp the Blood” Horowitz, Joe “The Greaser” Rosenzweig, and the leaders of the notorious Yiddish Black Hand, Jacob “Johnny” Levinsky and “Charley the Cripple” Vitoffsky.

There were even women ready for the fight – fierce, well-armed “gun-mols” like Bessie London, Tillie Finkelstein, Birdie Pomerantz, and Jennie “The Factory” Morris. Cameras, projectors, film, and sound equipment disappeared from the storerooms of Edison companies and showed up on makeshift movie lots on the Lower East Side. Bullets rained down on the Trust’s enforcers from the rooftops of nickelodeons. And massive fires destroyed the Edison distributors’ warehouses in the Bronx, Philadelphia, and Chicago.

By 1915 the Trust had disbanded and the outlaw filmmakers moved west, where they could make bigger and better movies. Who were the men who, with the help of their nicknamed friends, fought Thomas Edison and the law and won? They were Marcus Loew of Loews Theatres and Metro-Goldwyn-Mayer, Carl Laemmle of Universal Pictures, Adolph Zukor of Paramount Pictures, William Fox of Twentieth-Century Fox, and the brothers Harry, Albert, Sam, and Jack Warner.”

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Sickening! And not only how the author spins the story (referring to Edison’s men as thugs and the Jewish thieves as “renegades”) and misrepresents the facts, but what these Hollywood thugs and paedos have done to us as a people ever since!!
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So next time you download a film, don’t feel so badly 😉
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Now let’s look at a few more things that non-Europeans, specifically Blacks benefit from by way of blatant cultural appropriation.
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There’s rap music, that whites are told they are stealing from its creators, anytime they try their hand at it, listen to it (PAY TO) or borrow styles from.
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Firstly, ALL modern rap music is made on a computer.
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There is in fact no other musical genre on the planet that literally does not use some form of manual instrumentation in its production.
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“Hip-hop” producers employ computers and mixing boards to “drop” their beats, create their rhythms, record the vocals, etc.
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Neither the computer nor the mixing board is black.
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They were BOTH invented by Englishmen.
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According to Wikipedia – where I go to attack Leftists using Leftist propaganda, to expose Leftists – the computer was invented by an Englishman!! What are the chances!!

“Charles Babbage, an English mechanical engineer and polymath, originated the concept of a programmable computer. Considered the “father of the computer”, he conceptualized and invented the first mechanical computer in the early 19th century. After working on his revolutionary difference engine, designed to aid in navigational calculations, in 1833 he realized that a much more general design, an Analytical Engine, was possible.

The input of programs and data was to be provided to the machine via punched cards, a method being used at the time to direct mechanical looms such as the Jacquard loom. For output, the machine would have a printer, a curve plotter and a bell. The machine would also be able to punch numbers onto cards to be read in later. The Engine incorporated an arithmetic logic unit, control flow in the form of conditional branching and loops, and integrated memory, making it the first design for a general-purpose computer that could be described in modern terms as Turing-complete.
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The machine was about a century ahead of its time. All the parts for his machine had to be made by hand – this was a major problem for a device with thousands of parts. Eventually, the project was dissolved with the decision of the Government to cease funding.

Babbage’s failure to complete the analytical engine can be chiefly attributed to political and financial difficulties as well as his desire to develop an increasingly sophisticated computer and to move ahead faster than anyone else could follow. Nevertheless, his son, Henry Babbage, completed a simplified version of the analytical engine’s computing unit (the mill) in 1888. He gave a successful demonstration of its use in computing tables in 1906.”

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Then there’s the mixing board.
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The Telegraph writes,

“Rupert Neve, who has died aged 94, was a -born recording genius regarded as the “father” of the modern mixing console – the massive board with hundreds of knobs and faders that dominates studio control rooms; his equipment gave depth and power to albums by such leading rock bands as The Who, Santana, Fleetwood Mac and others.”

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My guess is not too many rappers know of the great man from whom they appropriated the art of mixing and producing contemporary music….
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Hopefully, some (those that can read) will accidentally learn of Mr. Neve, via his recent obituary, as I did a few minutes ago. A pattern is emerging as I write this. Although I knew Brits and Anglo-Americans were behind many of the world’s modern inventions, even I had no idea to what extent!
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“But rap wasn’t always produced using computers, son”, something no doubt you will be told if you make this argument….
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Early rap was created and recorded using, and I will quote a famous early rap song here, “two turntables and a microphone” due to the fact it began as a “street art form”.
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A turntable refers to what most people call a record player or “phonograph”.
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According to Wikipedia,

“The phonograph was invented in 1877 by Thomas Edison. Just as importantly, Alexander Graham Bell’s Volta Laboratory made several improvements in the 1880s and introduced the graphophone, including the use of wax-coated cardboard cylinders and a cutting stylus that moved from side to side in a zigzag groove around the record. In the 1890s, Edison’s firm initiated the transition from phonograph cylinders to flat discs with a spiral groove running from the periphery to near the center, coining the term gramophone for disc record players, which is predominantly used in many languages. Later improvements through the years included modifications to the turntable and its drive system, the stylus or needle, and the sound and equalization systems.”

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Once again an Anglo (American in this instance) and a Scot…
Then there’s the microphone. (And please don’t think that I am cherry picking these. That these WILL all be invented by Westerners of predominantly Anglo and Anglo American origin, in either Britain and America, comes down to the fact that it is almost impossible to find inventions made by anyone else! Apart from occasionally the French, Italians – especially in the pre-industrial age in the area of art and music – and Germans before WW2, the Brits and Americans of Anglo-Saxon origin invented pretty much everything of importance we use today!)
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As per Wikipedia (again),

“In order to speak to larger groups of people, a need arose to increase the volume of the human voice. The earliest devices used to achieve this were acoustic megaphones.

Some of the first examples, from fifth century BC Greece, were theater masks with horn-shaped mouth openings that acoustically amplified the voice of actors in amphitheaters. In 1665 (same year the first blood transfusion was administered – also in England), the English physicist Robert Hooke was the first to experiment with a medium other than air with the invention of the “lovers’ telephone” made of stretched wire with a cup attached at each end.
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In 1861, German inventor Johann Philipp Reis built an early sound transmitter (the “Reis telephone”) that used a metallic strip attached to a vibrating membrane that would produce intermittent current. Better results were achieved in 1876 with the “liquid transmitter” design in early telephones from Alexander Graham Bell and Elisha Gray – the diaphragm was attached to a conductive rod in an acid solution. These systems, however, gave a very poor sound quality.
David Edward Hughes invented a carbon microphone in the 1870s.
The first microphone that enabled proper voice telephony was the (loose-contact) carbon microphone. This was independently developed by David Edward Hughes in England and Emile Berliner and Thomas Edison in the US.

Although Edison was awarded the first patent (after a long legal dispute) in mid-1877, Hughes had demonstrated his working device in front of many witnesses some years earlier, and most historians credit him with its invention.
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The carbon microphone is the direct prototype of today’s microphones used in modern music production and was critical in the development of telephony, broadcasting and the recording industries. Thomas Edison refined the carbon microphone into his carbon-button transmitter of 1886. This microphone was employed at the first ever radio broadcast, a performance at the New York Metropolitan Opera House in 1910.”

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Where should I go next….
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Let’s hit the medical care, rappers – after getting into “beefs” with other emcees they’ve insulted using a microphone they mixed on their computer using a sound board they also appropriated from Britons – that they need after they get shot.
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Back to Google….
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The International Red Cross writes that

“In 1628 physician William Harvey discovers the circulation of blood.” and that “the first known blood transfusion is attempted soon afterward.”

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In 1665 the first recorded successful blood transfusion occurs in England. Physician and veterinarian, Richard Lower, “keeps a dog alive by transfusing blood from other dogs”.
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The first human blood transfusion was performed by Dr. Philip Syng Physick in 1795 – an American physician who is widely regarded as the father of medical surgery.
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The first transfusion of human blood for the treatment of hemorrhage was performed by obstetrician, Dr. James Blundell, in London in 1818, as he attempted to save the life of a young expectant mother. She was saved and millions of people around the world have been spared because of this life-saving procedure ever since.

But they “waz kangz”.
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Where to next…
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Let’s go with Penicillin for “1000” – A jeopardy reference. Ya think many blacks watch Jeopardy? 😀

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After getting shot at, the second most common affliction associated with rap music, besides perhaps drug use, has to be sexually transmitted infection.
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Many a well-known rapper has succumbed to AIDS and lyrics, referencing sexually transmitted illness and other pitfalls associated with “fucking nappy-headed hoes on the down low”, are common in rap music.
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Enter Penicillin.
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The use of penicillin – a group of antibiotics originally obtained from Penicillium moulds, principally P. chrysogenum and P. rubens to treat infection – was first employed by Sir Alexander Fleming, a Scottish researcher, who is credited with the discovery of the antibiotic agent in 1928.
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At the time, Fleming was experimenting with the influenza virus in the Laboratory of the Inoculation Department at St. Mary’s Hospital in London when he stumbled upon the discovery, which has saved hundreds of millions of lives ever since.
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Again, have any of these bastards sent money back to Ol’ Scotland to benefit the family of Sir Alexander Fleming?
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Nope….
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Back to modern Western music – a commercial art form both Blacks and their Jewish masters make a fortune from….
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The wealthiest producer in the history of rap music is none other than Dr Dre, who first rose to fame after penning the song “Fuck the Police” for the 1990’s rap ensemble from Los Angeles, N.W.A. or “Niggaz with Attitudes”.
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“Dre” – as he is known – who is now a billionaire several times over, recently made national headlines after producing a short film (and advertisement for his headphone firm, “Beatz”), alleging that “white people steal his people culture while we hate on them”. Headphones were invented by devout Mormon, Utah-based Engineer, Nathaniel Baldwin, who invented the first pair of audio headphones at his kitchen table in 1910. The American Navy ordered 100 pairs, not knowing that Baldwin was making them by hand. (I wonder if Dre knows of Mr Baldwin?)
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Dr Dre, who’s about as much of a Doctor as the current first lady, is unique to the “rap game” as his peeps like to refer to it, for using piano riffs (he’s stolen/appropriated in the form of samples from classical muisc-also European) in his songs.
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Guess who invented the piano, sheet music, the bass and treble clef, staccato and a cappella?
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It sure ain’t the Bantu!
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As per Yamaha.com,

“The piano was invented by Bartolomeo Cristofori (1655-1731) of Italy. Cristofori was unsatisfied by the lack of control that musicians had over the volume level of the harpsichord. He is credited for switching out the plucking mechanism with a hammer to create the modern piano in around the year 1700.”

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Let me think….. (I’ll need a few minutes), what else are blacks good at?
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How about basketball!
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After all, ain’t nothing shows the merit of a man more than the ability to slam an inflatable leather ball (also invented by a white male) through a carbon steel hoop. (Africa still haven’t entered the iron age so I’m not sure they’re gonna be able to make carbon steel, which is 99% iron and 1% carbon without our help)
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Basketball (a derivation of the schoolyard game of netball) was invented by James Naismith in late 1891 at the International Young Men’s Christian Association (YMCA) Training School, Springfield, Massachusetts, where he was an instructor in physical education. Although Naismith was Canadian, which isn’t as evil as or American in today’s world, Naismith was still white, Christian and male. Therefore demonic in the eyes of the Left.
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Today basketball is played by blacks, run and exploited by the Jews that run the NBA (NOT anti-Semitism – just have a gander at the names of the league’s owners and commissioner) and sadly still consumed by misguided Whites. Why Whites still follow that dreadful sport when the people that play it and own the teams that profit from their patronage, HATE them with every fibre of their beings is beyond my comprehension.

I could go on and on and on and on… the appropriation of white inventions and culture by Blacks and Jews is endless.
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In all fairness, and dont’ get angry at me for saying this, I don’t have an issue with people doing what they like or enjoying the inventions of others. In fact, I can’t recall one “white supremacist” attacking a non-white for enjoying white inventions and culture.
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But when these ungrateful savages have a go at Whites for something as silly as wearing dreadlocks, without recognising ALL they have literally stolen from us – I get angry.
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Ironically, dreadlocks (what happens to tangled hair when you don’t wash it for months on end) weren’t even invented by Blacks!
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By all accounts, the style of hair was invented by Indians who themselves are Caucasian!!.
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Historians believe that “dreads” were first seen in India (and NOT Egypt as blacks who are confronted with this hard truth – which in any event is also a Caucasian civilisation) adorned by the dreadlocked deity, Shiva, and his followers. It is therefore highly likely that this is the “spirituality origin” of dreadlocks in Indian culture. The Germanic tribes, Celts and Vikings were also known to wear their hair in dreadlocks, way before whites would have ever seen Africans adorning the same hair. It’s not like black Africans even documented their hair styles, as they didn’t have writing or jot anything down.
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Blacks stealing from Indians and Caucasians in general shouldn’t surprise anyone, especially when it comes to hair!
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Have any of you had the misfortune of having to live in a black neighborhood? Especially one inhabited by recent sub-Saharan invaders?
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Wander down any street and you’ll find three sorts of shops:
Pawn shops – where the savages go to hock their stolen goods, liquor shops – where they go to buy Hennessey and malt liquor, Chicken shacks – where they go to eat, and hair salons – where their women go to try and look good.
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“Try” being the operative word….
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Because blacks don’t give a shit about the environment in which they live, and have about as much civic duty as a pig, there’s hair EVERYWHERE.
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Literally!
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There’s SILKY jet black hair strewn across the street, stuck to the side of the trees, hanging onto rubbish bins and blowing about the place.
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It’s EVERYWHERE…..
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And it ain’t theirs.
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The first clue that it isn’t their hair is the fact I used the word “silky”.
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When’s the last time you’ve seen a black man with silky, straight hair?
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The black hair you’re likely to get in your mouth while walking down Martin Luther King Boulevard isn’t the negro variety.
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It is the hair of poor Indian and Eastern European people who have sold their locks to make a quick buck and so that blacks like Michelle Obama (yep, she wearin’ a glorified wig) can look human.
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Still, no amount of “Gorilla Glue” (it’s a brand) and clip-on Indian hair will help these people on that score. (And again, my use of the term “gorilla” has nothing to do with racism. Google “Gorilla Glue, girl” for a dose of pop gossip that’s actually worthy of one’s time 😉 ).

In the infamous words of Barack Obama who, while talking about former Republican Vice Presidential candidate, Sarah Palin, said, “ya can stick lipstick on a pig, but it’s still a pig”…..
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Or in this case a chimp.
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Here is an excerpt from a black hair and makeup site I visited for this article:

“Indian hair extensions is 100% virgin Indian hair, the reason customers choose Indian hair is because of the hair length, softness, quality and texture. For most people, this is a good choice for hair wigs and hair extensions. Indian hair is available in straight, body wave, natural wave, deep wave, curly hair types.
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Indian hair is highly recommended for African-American women, create a beautiful wavy. Indian hair is soft, airy and can be easily flat-ironed and curled. However, this type of hair tends to become frizzy in humid condition, so anti-frizz products is recommended to use.”

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Like I EVER needed to know any of that. 😉 This is about the only bit of info I hope that you forget from this highly instructive piece….
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In closing.
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Although all in all I’ve had a pretty bad day, my discovery that the “white” kid abused for his “dreads” is none other than an Antifa supporter named Gary Goldstein!
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Now that’s Karma, baby….and yet ANOTHER example of a Caucasian belief and creation the savage world’s culturally appropriated 😉
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End article.
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Origin of the maxim, “Hell in a handbasket” followed by the infamovs dreadlocks video.

It isn’t at all obvious why ‘handbasket’ was chosen as the preferred vehicle to convey people to hell by the medieval church.
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One theory on the origin of the phrase is that it derives from the use of handbaskets in the guillotining method of capital punishment. If Hollywood films are to be believed, the decapitated heads were caught in baskets – the casualty presumably going straight to hell, without passing Go. That’s a nice theory but fails a pretty basic test – guillotines were invented in the 18th century and the phrase dates from the 17th.

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The first version of ‘to hell in a handbasket’ that I can find in print comes from the Weekly pacquet of advice from Rome: or, The history of popery, 1682:
“…that noise of a Popish Plot was nothing in the world but an intrigue of the Whigs to destroy the Kings best Friends, and the Devil fetch me to Hell in a Hand basket, if I might have my will, there should not be one Fa∣natical Dog left alive in the three Kingdoms.”

The widely held belief that ‘hell in a handbasket’ is of US origin is incorrect, although it isn’t often now used outside the USA. There are variants of the phrase that use various forms of transport, travelling either to hell or to heaven. The English preacher Thomas Adams referred to ‘going to heaven in a wheelbarrow’ in Gods Bounty on Proverbs, 1618:

Oh, this oppressor [that is, one who was wealthy but gave little to the church] must needs go to heaven! What shall hinder him? But it will be, as the byword is, in a wheelbarrow: the fiends, and not the angels, will take hold on him.

‘Going to heaven in a wheelbarrow’ was a euphemistic way of saying ‘going to hell’. The notion of sinners being literally wheeled to hell in barrows or carts is certainly very old. The medieval stained glass windows of Fairford Church in Gloucestershire contain an image of a woman being carried off to purgatory in a wheelbarrow pushed by a blue devil. Hieronymous Bosch’s painting “The Haywain,” circa 1515, shows fallen sinners being put aboard a haycart that is trundling its inevitable path to hell.
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‘Going to hell in a handbasket’ seems to be just a colourful version of ‘going to hell’, in the same sense as ‘going to the dogs’. ‘In a handbasket’ is an alliterative intensifier which gives the expression a catchy ring. There doesn’t appear to be any particular significance to ‘handbasket’ apart from the alliteration – any other conveyance beginning with ‘H’ would have done just as well. The similar earlier phrases ‘hell in a basket’ and ‘hell in a wheelbarrow’, not having the same catchiness, have now disappeared from common use. Let’s launch ‘going to hell in a hovercraft’ and see if that flies.
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The earliest citation of ‘Hell in a handcart’ that I can find for that is in Elbridge Paige’s book of Short Patent Sermons, 1841:

[Those people] who would rather ride to hell in a hand-cart than walk to heaven supported by the staff of industry.