FRANCOIS AROUET: STATISTICS prove Blacks and Gays (and their backers) have now OFFICIALLY taken over television; Cleon Peterson’s charming “art” 

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Black faces reign on British tv, even in historical dramas as English nobles and monarchs….. 
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by François Arouet and British Nationalist and political spitfire Carl Mason.
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If you like this exclusive article by François, and others that we publish on a daily basis – that John is paying for while he develops his new spiritual organization – then please write to John at john_denugent@yahoo.com to learn how you can help us. John would genuinely love to hear from you so that you can set up a private SKYPE conversation where he can explain his vision, and you can help him achieve his goals. We are this close to a new noble age.
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Our people need you NOW more than ever.
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As bad as things are in continental Europe, with liberalism, immigration, LGBT madness and the media ramming ALL of this bile down our collective throats on a daily basis, it’s not HALF as bad as it is in Britain and the United States….and the evidence – both statistical and anecdotal – backs this assertion up.
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Incredibly, just to shoe-horn a black face into a 95% white, male sport, hockey, this NHL website displays a black hospital employee!
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First the anecdotal….
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While recently watching the Super Bowl (American football event) I almost had to close my eyes and plug my ears during the commercial breaks as advertisement after advertisement was wall-to-wall BLACK.
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There were Blacks selling home insurance [Mr Macho Hunk, a baritone-voiced Allstate salesman], cars, lifestyle, clothing, soft drinks and much more….all to mindlessly subservient and oblivious white consumers.
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One commercial in particular troubled me more than any other I watched on the day.
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It was an advertisement for some sort of middle-of-the-road Sport Utility Vehicle – I don’t recall the brand of automobile as I wasn’t really paying attention at this juncture – that I presume costs somewhere in the range of $30-40,000 – that mostly drew my ire.
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I’ll set the scene….
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A gleaming SUV is meandering down a beautiful scenic mountain road.
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Based on my knowledge of the United States and its geography (I spent a good decade studying in the States), I presume the road in question is located somewhere in the central Rocky Mountains of Northern Colorado, Wyoming, Montana and Idaho.
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I say this due to the fact the backdrop was green and verdant – as opposed to arid and stony as it would have been if it were set in the Southern Rockies of southern Colorado and Arizona – and there was a noticeable tree-line above which there was little vegetation – which also excludes the eastern Appalachian and Adirondack mountain ranges.
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The scene was definitely the sort of place wealthy liberals go to play during the winter, and people like us can only dream about living in.
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The vehicle itself – more equipped for soccer moms zipping kids around suburban Connecticut or Southern California than Colorado and Wyoming, was nicely kitted out with tinted windows, lots of chunky, shiny bits and a roof rack for trendy mountain bikes and skis.
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It was precisely the sort of vehicle a forty-something middle class white family, and a white guy with some distinguished gray around his temples, might want access to for the morning school run, a weekend jaunt to the ski slopes or a trip to grandma’s.
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The commercial’s narrator talked about the glory of the mountains, how exquisitely the car handled on both on and off-road terrain, and expressed how owning it would give its new owner (you) access to the best America has to offer.
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The car was hocking lifestyle more than the actual car, but that’s par for the course in 2021. (If they could have stuck an avocado with some quinoa and a cappuccino in a cup with the words “Made with RECYCLED Amazonian crocodile piss” emblazoned on it, ANYWHERE on the dashboard, trust me they’d have done so.)
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The car drove for a few hundred yards, while the female narrator continued to sell the vehicle before pulling into a lay-by and coming to a stop in front of a pristine mountain lake.
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It was at this point that the driver’s side rear door opened and the narrator stopped speaking.
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The camera then panned from the lake to the vehicle, zooming in on the driver’s side rear door, from which three stylish twenty-something BLACK women climbed out.
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They were hip, obviously had a bit of white in them (liberal whites still aren’t conditioned enough into accepting Sudanese-looking blacks with bits of bushmeat jerky hanging from their mouths driving around in their green sport utility vehicles yet), and dressed as if they were headed to a college class, rather than for a muddy hike around a mountain lake.
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The driver then climbed out….
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She too was black, and I….was left shaking my head and feeling perplexed on SO many levels.
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Firstly, young black women don’t buy this sort of vehicle. They simply can not afford it, on the levels needed for this advertisement to make sense from a business standpoint.
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Besides it being too expensive, it guzzles gas compared to most modern cars and isn’t adept in city traffic where most young black women live! (Shoot….how many of even us Whites can even afford it?)
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Secondly, the sort of people depicted in this specific commercial – that was superficially more about lifestyle, optics and aesthetics than the car itself – have little to no interest in visiting mountain lakes often which, in the case of the lakes in the Rockies, are hundreds, even thousands of miles from the cities in which they live.
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And again I’m referring to the levels needed to make this commercial make sense from a business standpoint.
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Sure there are Blacks that like the outdoors, but they are few and far between, and when they do have a penchant for fresh air, they typically prefer fishing, BBQing and engaging in the sort of activities rural blacks (as well as whites) enjoy – not birdwatching or skiing in Vail, and certainly not admiring mountain vistas!
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This car, being marketed to the segment of the Super Bowl audience that drives this sort of vehicle, was being sold with an advertisement full of people who not only don’t buy these sorts of vehicles or like the lifestyle depicted, nature or lakes, but don’t even watch the damn Super Bowl!
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So now, not only are they thrusting unrealistic imagery down our throats, for the sake of diversity, they are producing advertising that doesn’t make ANY sense from a common sense or a business position.
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And yeah, all of this was racing through my head while I watched this wretched commercial (all so I could watch Tom Brady beat his anti-American and anti-white critics AGAIN 😉  ).
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It was at this point that I decided to start keeping track of how many Super Bowl ads had Blacks in them – black women in particular.
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Over the next few hours I watched about 20 commercials. There were black actors in 17 of them, whites in 18. Some of the ads shockingly featured an all-black cast!!
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I also noted that I saw VERY few East Asian or Hispanic faces in any of the commercials, in spite of the fact that Hispanics make up a larger percentage of the population than Blacks – and East Asians, as a percentage of the total US population, have and spend LOADS more money than BOTH.
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In fact, East Asians spend more buying automobiles, as a percentage of their income, than ANY race. As they aren’t a threat to us Whites though, their services [to the NWO] aren’t needed.
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During the Super Bowl the actors in the commercials were either black or white, but predominantly black.
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Although we are in the midst of a demographic catastrophe, and Whites are losing ground to Non-Whites in the United States more than in any other nation, whites still make up about 40-50% of the American population, and in the commercials I saw on the day, I recall they were represented by about that number.
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When one takes into consideration that Whites buy at least 70% of the nation’s goods, that number though, is WAY too low,
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Blacks, on the other hand, who only make up about 12% of the American population, and contribute (buy) FAR less to the economy than they should as a percentage of the population – because of their disproportionally high poverty rates and low incomes – were VASTLY overrepresented.
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East Asians, who are the nation’s wealthiest demographic were NOWHERE to be seen.
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And this is by design – because Asians, like Whites, compete for resources with our oppressors and are viewed by Whites as the nation’s “model  minority”. When’s the last time you heard of a Filipino or Japanese person raping someone in the subway or carjacking someone for a phone and five dollars?
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For these reasons the people who control Hollywood avoid placing Asians in advertising.
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This is also the case on television programming, where the people that control us (who are ALSO overrepresented in Hollywood, both behind the screens and on them), have over the past four decades weaponized society’s most dangerous and least valuable people – Blacks and Hispanics – against the rest of us.
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These rancid people are now plastered across our advertising, on our televisions, and mark my words, it will continue to get worse in the years to come, unless we stop buying the shit they are selling and start boycotting Hollywood and the industries pushing their woke evil.
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And this is not just the case in the United States.
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Britain is afflicted just as badly….
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A recent study coming out of England that our Carl Mason sent me, conducted by a pro-diversity charity no less, claims that “BAME (black and ethnic minorities) and Gays are significantly over-represented on British television”.
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Carl passionately wrote me,
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“Fran, we are in a really precarious situation in Britain, where not only are Blacks all over our screens – as well as our streets – they are now in our historical dramas!!

In fact, “BAME people”, as they are referred to in Britain, “account for about 13 per cent of the national workforce but secure 23 per cent of on-screen roles”, the statistics show. [Compare that to the near 60% demographic share they hold in the United States to get some perspective on how bad things are in America.] And now they are playing our kings, queens and historical figures on screen!”

Couldn’t they at least find a pretty Russian or Iranian woman? Or some Caucasian, Bollywood-looking starlet, if they HAD to go for non-Anglos? Why fill the role with people as ugly as this lot!!!

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And Carl is not being hyperbolic, I can assure you.
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In Britain, minority over-representation is particularly stark on dramatic programs, where BAME and LGBT actors are GIFTED more than a quarter (26.4 per cent) of the parts, as well as on children’s TV (30.3 per cent) and comedies (24.9 per cent) where they are favored at an even higher rate. Blacks have always been featured in programs portraying contemporary Britain, but are now in historical dramas as well!
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Carl continues,
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“This troubles me to no end as I have watched my country die before my eyes. And it’s been a slow death and one that could have easily been prevented. It’s not like it’s been hidden. We have seen it unfold before our eyes!

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I grew up in the 1970s in London with Blacks everywhere, so I’m not new to this. Even then as a kid I knew what I was seeing was wrong.
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It was nothing personal and I hated no one on an individual basis, but anyone with a sense of decency would know that too many non-indigenous people in someone else’s homeland is WRONG.
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Although things were headed in the wrong direction, in my school, which was located in a predominantly white area, we only had 1 or 2 blacks. There were no black politicians or celebrities, and only a few pop idols. (I’m still trying to figure out if Tom Jones is black or not 😉 )
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So although it was all over London, it was still basically pretty rare in my area and on a national level.
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Not anymore. Now every advert has a black or mixed marriage family in it. Kids’ comics and child-oriented TV programming have a load of blacks in them. Some programs are literally with blacks only! The programs, adverts, themes of the new shows – it’s pretty much ALL black now!!
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It makes me sick!!”
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And it’s not just the blackening of Britain’s television which Carl references that is destroying the nation. It’s the degeneracy and sexual deviance flooding Britain’s airwaves and corrupting its impressionable children as well, that are sending Britain off a cliff. 
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The above study also claims that “Lesbian, Gay and bisexual Brits are nearly twice as likely to appear on television as well”. It stated that LGBT groups are GIFTED “11.9 per cent of roles” — when at best they make-up 1-2% of the population.
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That’s even worse than in the States!!
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Although Britain, like the United States, is sadly one massive degenerate pigpen full of weirdos, sexual deviants and kiddy-fiddlers – the BBC’s estimate that a whopping 6.4 per cent of Britons are Gay, bisexual or one form of queer or another – still rings hollow in my opinion.
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With that said, with 12% of the nation’s television characters representing people engaging in filthy deviant lifestyles, that’s STILL 6X my sicko population estimate and twice the BBC’s.
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The figures and study were released after the Chairman of BBC drama defended his network’s practice of “crowbarring diverse characters and plotlines into adaptations of classic novels” (English kings and queens being now black on British tele), in what he claims is a concerted effort to “reflect the demographics of modern Britain”.
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So screw historical accuracy!
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Even several mainstream critics – who are conservative leaning or just getting old – have accused the EVIL channel of pushing “woke propaganda”.
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Ya think?  😉
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The latest British study also indicates that broadcasters and producers are “promoting actors and presenters of diverse backgrounds to on-screen roles, while failing to fully address off-screen diversity problems, especially at senior levels.”
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So “while the big shots remain largely Jewish and white”, Carl notes, the actors we are FORCED to stomach aren’t.
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Just like here in the States and in 1990’s South Africa, where the Nelson Mandela-led ANC waged war on the Afrikaner people,
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the weapons are Jewish-owned, but the bullets are black!

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*** JdN: I took this screenshot of our local credit union in mytown of Ontonagon, which is 99.9% white, in a 98% white UP of Michigan

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Submissions to the diversity report were apparently voluntary but the study’s authors believe that the survey “does offer an accurate picture of where British television is”.
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And just like in the States, it’s not all roses for “many minorities” either – something I stated earlier.
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Good luck finding Eastern Europeans (who now make-up between 2 and 4% of Britain’s population), Western Europeans (there are hundreds of thousands of French and Italian people living in Britain), South East Asians, older people of any race or the disabled.
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Good luck finding a white person on British TV with a foreign accent, despite the fact there are MILLIONS of white economic migrants and EU nationals living in Britain.
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These groups – people still without a voice – are by far the most underrepresented minority groups on British television.
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The study also reported that “over-50s account for less than 20 per cent of on-screen contributions, while making up well over 30 per cent of the workforce”.
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Disabled people received “7.8 per cent of on-screen jobs and 5.2 per cent of off-screen, despite being 17 per cent of the population.”
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Yeah, Britain has a few issues we won’t get into here.
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Deborah Williams, executive director of the Creative Diversity Network – who quite remarkably pointed out a few of these hard truths the mainstream Establishment has been deliberately ignoring – said that “it was disappointing that disability representation had ‘flatlined’ in recent years”.
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What she failed to mention though is that fact that it’s because ALL the roles on the tele now go to BLACKS and GAYS!!!
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And therefore, there’s nothing left for anyone else!!
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Comically, and as expected, Williams – who ADMITTED that blacks were over-represented – defended anti-white racism and blatant ageism on television by claiming “that BAME (non-white Brits) presenters and actors were over-represented because improving on-screen diversity had traditionally been seen as a quick win”.
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She continued, saying,

“So much time is spent on quick wins, that digging deeper hasn’t necessarily been a priority.  The easiest thing to do, and everyone is guilty of this whether in television or other industries, is to find a black person and put them on.”

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I couldn’t agree more with the latter half of her statement.  There are TOO damn many black faces on the television and in advertising, and it’s sickening.
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Women are also slightly over-represented in both on-screen (52.4 per cent) and off-screen (53.7 per cent) roles. And like in America, they take down the bad guys, karate-chop their way through larger, more powerful men, beat up their boyfriends and husbands, and rule the roost. Same shit, different continent.
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At this juncture, though, none of this should surprise anyone. It is not as if it were a new phenomenon.
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Former BBC presenter and self-professed “champion of liberal causes” Sir Ludovic Kennedy – as far back as 2002 – denounced the increasing number of black faces appearing on television programs, referring to the trend as “political correctness gone mad”.
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Sir Ludovic said he was “all in favour of black advancement”, but claimed ethnic minorities were over-represented on TV and this was an “imbalance” that should be “readjusted”.
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He continued,

“I’d like to take issue with the BBC execs who say it is their aim to bring more Blacks to the screen, as it seems they’ve already more than succeeded….I am all in favour of black advancement, but there’s now hardly a TV pub, police station, soap, vox pop or ad without rather more than its fair share of black participation.”

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Sorry, mate, but it’s people like you that created this mess!
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Why would you lend a helping hand to someone who wants to see your people dead only to panic, once the killings start?
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It beggars belief.
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And the reason I started this piece by mentioning that the rest of Europe is not as far down the proverbial pisciatoio as America and Britain – with the exception of Merkel’s Germany and a few other desperately out-of-touch Northern European cesspools with childless Gay leaders and liberal freaks at the helm – is simply because it’s still pretty rare to see Blacks on television on the continent.
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Lucky them.
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[End article]
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I’ll leave you with a mindless, albeit dangerous and hypocritical, article from Ocra Winfrey’s website on the matter. If it’s wrong to wear blackface why isn’t it wrong to blacken the faces of historical people? 
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….as well as a few more thoughts from Carl’s letter.
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“Francois and John,

Legendary British politician Enoch Powell once said that it’s Britain’s most vulnerable people that will suffer most when the black has the upper hand. That our elderly and poorest people will be driven from their homes and abused in the communities they’ve lived in for generations. That the black man will have his boot pressed firmly on the back of our collective necks.
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How right he was! Blacks are now in essence everywhere and squarely stomping on our necks!
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But it is not just that.
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Blacks, along with white liberal traitors, are also now removing our statues, re-writing our history and most despicably of all, all over the tele, the media, adverts and in the schools – telling our kids how horrible they are.
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All while ignoring the black involvement in their slave trade of course.
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Are you aware that whole areas of Britain’s towns and cities are becoming black ghettos or Muslim jihadi states?  That they’ve taken over entire cities?
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And if they can’t get their way, like Meghan Markle, they cry racism to guilt-trip the whites into submitting to their demands.
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It’s the politicians and councillors who facilitate the ethnic cleansing of Europe’s white population. Gimmegrants want free gas, water, electric, our food, jobs, housing and the very land we stand on and our forefathers died protecting.
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They want open borders so they can swamp us and drive us out of existence.
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We have two choices. Either we push back – or be ethnically removed via diversity.
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During lockdown 10,000 illegal gimmegrants arrived in Britain via dinghies across the Channel. None will be sent back.
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Who gave the politicians the right to turn our country black or brown?
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Worcester, my city, didn’t have any Blacks. Now more arrive via the EU or are brought here via the NHS or Worcester’s University. When they qualify with useless degree,s they can stay and bring over their families. Britain’s universities and National Health Service are used as conduits for immigration, or, as I should say, eradication.”
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The following is from Oprahmag.com
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British Historical Drama, Bridgerton, Doesn’t Need to Elaborate on Its Inclusion of Black Characters
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Historical accuracy shouldn’t have to matter in a fantasy.

 

By McKenzie Jean-Philippe (a black American writing about Britain)

One of the hallmarks of a Shonda Rhimes production is a sprawling multiracial ensemble cast. As a viewer, I’ve watched sexy lawyers, Seattle doctors, and how to get away with murder-ers (it’s a thing) of all ethnicities command the screen. The fact that many of them were not white was just an added plus while bingeing Shondaland’s addicting creations over the years.

Rhimes’ new Netflix hit, Bridgerton, is no different. Only this time, she’s executive-produced a Regency Era period drama based on a series of bestselling romance novels, and the cast represents the richest of the rich in 1813 London. You know, the very colonizers that were thriving as a direct result of their historic abuse and mistreatment of BIPOCsBridgerton raises the question of how diverse nobility could exist during a time when most Black and brown people in Britain were relegated to domestic work. For the record, according to romance novelist and historian Vanessa Riley, there were Black nobility. (Even a Black duke). But both the scale and level of acceptance of those people shown in Bridgerton is largely historically inaccurate—but purposefully so.

The “how” of it all is only addressed in Episode 4, “An Affair of Honor”, when Lady Danbury (Adjoa Andoh) waxes poetic about the power of love to a disgruntled Simon (Regé-Jean Page), as he’s in the midst of a falling out with his paramour. She says.

“Look at our queen. Look at our king. Look at their marriage. Look at everything it is doing for us, allowing us to become. We were two separate societies divided by color, until a king fell in love with one of us. Love, Your Grace, conquers all.”

To translate, Bridgerton exists in a fictional 19th-century London society where, unlike today, Queen Charlotte’s race was never up for debate. In the show, she is a black woman who ascended the throne, resulting in a more accepting world filled with equal opportunity where it wasn’t radical to see Black elite and middle class people: a duke, footman, lady’s maid, or even a respected boxer. Historical accuracy aside, showrunner Chris Van Dusen tells OprahMag.com they wanted Bridgerton to “reflect the world that we live in today.”

To some, this understandably comes off as a far too simplistic way to delve into the very complex idea of race relations in 19th century Britain, particularly when Bridgerton was co-executive produced and written by Van Dusen—a white man. Critics not only address the implications of black and brown people mingling with those who might have been their white oppressors, but also, the exclusion of darker skinned actors from leading roles.

This content is imported from Twitter. You may be able to find the same content in another format, or you may be able to find more information, at their web site.

This comment from Lady Danbury felt at odds with the fact of #Bridgerton itself existing as it does, and it felt shoe-horned in by some exec who wanted an explanation of why the male lead is a Black man, when actually, we didn’t need an explanation at all. 5/6

— Sarah Shaffi (@sarahshaffi) December 26, 2020

This content is imported from Twitter. You may be able to find the same content in another format, or you may be able to find more information, at their web site.

With #Bridgerton @netflix continues their staunch tradition of casting a lightskin Black women in the main cast. @netflix continues to prove their belief that darkskin Black women under the age of 25 simply do not exist 🙄

— Black Girl Anime Otaku (@BlackAnimeGirl7) December 25, 2020

But at the same time, Van Dusen explained to OprahMag.com that the series is in no way strictly history, but a modern take on a period drama that resulted in fantasy. And that fantasy happens to include that Black citizens and people of color can live their lives and succeed without question or elaboration. (Oh, and dance to Ariana Grande at a ball.)

This content is imported from Twitter. You may be able to find the same content in another format, or you may be able to find more information, at their web site.

Who CARES if it isn’t historically accurate they were playing Thank U Next on strings at a ball

— Bolu Babalola (@BeeBabs) December 26, 2020

“It is what it is, and it’s beautiful, and it’s to be celebrated,” says Golda Rosheuvel, who plays Queen Charlotte. “We’re having fun. We’re being naughty. We’re being sexual, we’re being grand. All of the things that human beings are. I’m biracial. I was brought up in England. My mother was crazy about period dramas, which made me crazy about them. I never thought that I’d be able to be in one. It was something that was far away. I couldn’t touch it. Now we can rewrite that story for the little girl who’s sitting at home. That cycle is stopping now.”

For Regé-Jean Page, how the minds behind Bridgerton would tackle representation in a period drama—let alone Simon being a Black man—was a priority before he agreed to play the Duke of Hastings. For him, episode 4’s monologue from Lady Danbury was an essential detail.

“I like to represent the world we live in, the audience we’re serving, and people who have always lived,” Page tells me. “It’s not like people of color existing is a modern phenomenon. We’ve always been there, we are here, and we’re gonna be there. I think one of the best ways to do that is to have conversations with people because there are unique concerns that affect how we navigate in society.”

As a viewer and romance fanatic, the concept of BIPOCs living freely without issue is difficult to grasp in 2020, particularly as those behind the Black Lives Matter movement are fighting everyday to ensure their community is heard. Bridgerton also raises the very real argument that instead of injecting brown people into a world that didn’t actually accept them, it might be more productive for Hollywood to peruse and adapt from the plethora of acclaimed romance novels that are already inclusiveNovelists Beverly Jenkins, Alyssa Cole, and more are a great place to start.

Is one warm, fluffy conversation between a man and his wise godmother really enough to explain multiracial casting in a series set in a country with a painful history? For some, perhaps not. But while I agree with much of the dissent, it was still a welcome breath of fresh air to not be faced with exhaustive on-screen dialogue about why my people deserve to be seen on a hit TV series. We’ve already spent decades saying as much. Bridgerton just reinforces it.

[End Oprah’s evil]

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……..JdN comment

The jews know exactly what they are doing.

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To reduce the goyim down to a 90 IQ — appropriate for slaves who must be must bright enough to do manual work, and each jew will have hundreds of slaves, says the Talmud — mix all races with the Blacks.

 

Blacks are great as they are no rival to jewish power —  but are great for forming mobs to kill whitey.

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The jew-favored Los Angeles “artist” Cleon Peters seems to know and even relish this. (http://www.cleonpeterson.com/)

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He gets commissions from Edmond de Rothschild:

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The purpose of the coming religion will be to de-sheepize the white race. As experts state, even unhungry wolves attack sheep BECAUSE the sheep FLEE. 

 

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Especially important blogs

 

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10 Comments

  1. (((Transgender))), Jews and leftists push their unhealthy agenda on every media outlet possible. And where this is not possible, they try to derail the conversation. Especially on based forums and sites on the internet.

    Below is a little selection of their tactics – to spot them, and to counter them effectively.

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  2. John, your website is behaving strangely.
    In one posting, as one scrolls down, there is a portion of letters that drpp down like they were a menu.
    In another posting the part where the contact and reply is located doesn’t have the normal white opaque background but is completely clear, transparent.
    In another, way down, also near the reply section, there is a strange inintelligible phrase to be seen.
    It isn’t my browser.
    I have tried several.
    Possibly you have a hacking attempt there.

    • Yes, we are being hacked day and night. This is why I have, and pay for, two men to watch the site and one to fix it.

      And 99% of my readers sit there, read the site, which often has totally unique content, and never think to send one penny.

      How are they any different from the ingrate Meghan Markle? Take-take-take. 😉

  3. JG. BRITONS didn’t fight fight for open borders or uncontrolled immigration. This is what the global elite and left force upon the British. Our ancestors on D-day didn’t go ashore for diversity and multi culturalism . Today we have DNA replacement , and racial engineering . No British ancestors fought for that .ffs

    • Very true. The whole Churchill message was freedom, democracy and British patriotism.

      Many Brits, of course, saw right through him, and in fact many in Labour and the working class especially after the man had used Army troops against miner strikes on several occasions, and acted in general like the heartless, warmongering, aristocratic parasite he was.

      Proof of this is that as soon as the war was over, the Brits voted Labour MP Clement Atlee in as prime minister and tossed the warloving drunk Winston Churchill out — to the amazement of the brainwashed Americans, who had been told all England adored their bulldog-like hero “Winnie.”

      As The Nameless War shows, it was by applying the totalitarian Regulation 18b that England stayed in the war. Hundreds of leading patriots, sympathizers with Germany and opponents of jewry and communism were simply arrested without any charges, lawyer, defense or trial for the duration of the war, among them people from the high nobility, an admiral who had been Chief of Naval Intelligence and head of the Naval War College and an important Conservative Member of Parliament who had been friends with Neville Chamberlain. Many, from high and wealthy families, were thrown into the dreadful Brixton Prison with rapists and murderers.

      Churchill simply rounded up the war critics.

      https://johndenugent.com/images/nameless-war-ramsay-john-de-nugent-online.pdf

      It is just as William Joyce said: the jews churned out a homey message of old-fashioned British patriotism for what was actually THEIR war on the jew-exposing Hitler.

  4. C.M. Superficially viewed, you are right. But they fought against some principles which JdN clearly has shown that would have protected their descendants from the mess they are in now.

    Of course, there was also the very effective propaganda that blinded your ancestors to the truth and even to decency (as during the firebombing of Dresden), but that doesn’t change the fact that they were basically fighting against themselves, their best interests and those of their descendants, and in this form they effectivelly sowed something which they are reaping now. It’s karma.

  5. To give a perhaps not perfect example, if you were a lawyer in court fighting to defend a criminal and you are successful, yes, you are a decent person and you were acting in a professional capacity
    .
    The criminal gets free — but soon rapes your own daughter.
    .
    You would rightly say that you didn’t fight in court for your daughter to someday be raped. But you sowed a seed, the fruit of which you reaped.

    • All true, brother, but all earthlings are in the same boat.

      After the Israelis killed 3,000 Americans on 9/11, we marched off and destroyed their enemy, Iraq, for them!

      German cops (who hate muslims themselves)

      arrest 10,000 white German patriots a year for opposing the muslim invasion!

      Spanish cops throw little old ladies to the ground for opposing the Covid lockdown.

      For me, this is almost as bad as Dresden –what a monster!

      This whole planet is spiritually insane. And the little jews are also dying of the vaccine in what they imagine is “their” Israel.
      .
      This world is an egoic hell — and it is totally unncessary.
      .
      .
      .

  6. Indeed, all too true.
    And you have only scratched the surface.
    Our world is full of unconceivable evil, much of it still hidden.

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