“THE GIVER”
The 2014 movie (filmed mostly in Capetown, South Africa, with the end in Utah) is about a test-tube baby society, perfectly planned, conflict-free, and without even any variance in hair color. It was produced by the infamous Jews at the Weinstein Company, such as, yeah, this guy:
It stars
- Jeff Bridges
- Meryl Streep
- Brenton Thwaites
- Alexander Skarsgård
- Katie Holmes
- Taylor Swift
- Cameron Monaghan
- Odeya Rush
- By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=42939975
Everyone is sort-of off-white with dark brown hair and eyes (confirming yet again my long-held view that those behind the Jews, yes, the Reptilians, as in Icke, absolutely HATE anyone and anything nordic, and are at literal war with them all across the galaxy where they have not been not defeated).
In the past, there were black people, nordic whites, white brunets… not now.
No one is allowed to even know anything about the painful, freer and exciting world before the “perfect society” was created — except for one chosen person in each community, who needs to be an advisor to the rulers and so must not be sheltered from unpleasant outside reality. He is called “the Receiver.” The young hero, Jonas, played by Brenton Thwaites, was chosen to replace the retiring “Receiver,” and is taught by him (, the “giver” of this knowledge, played by Jeff Bridges).
Interestingly, the perfectly organized world is perceived by its denizens in black & white, whereas the previous world of pain and freedom (which the retiring Receiver shows the the new one) is in color.
“Our rulers got rid of color, race, religion and difference. They created Sameness.”
https://en.wikipedia.org/wiki/The_Giver_(film)
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Jonas, the young Receiver trainee, is played by Brenton Thwaites
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“The Plan for Sameness” (and thus no conflict, envy, hatred)
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Romantic love is not allowed; everyone takes a psych-med every morning to have no deep emotions. But Jonas is now aware of what love and passion are, and is walking on the edge of the rules, which in a total-surveillance society with cameras and listening devices everywhere is “not good.”
Since they have never experienced real suffering, the citizens of Sameness also cannot appreciate the real joy of life, and the life of individual people seems less precious to them. In addition, no one in Jonas’s community has ever made a choice of his or her own.
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On the map, young Jonas discovers the supposedly fictional “Triangle of Rocks” (a seemingly very, very obvious reference to 33rd-degree Freemasonry and all the pyramids with which it abounds.
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In Latin: “Our plan has succeeded / New World Order”
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All this fits in perfectly with what our friend Hervé Ryssen describes in his magnificent book (in his native French) “The Planetary Hopes” (of the Jews), a world of docile Gentile work slaves:
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Hervé Ryssen feeding a pet parrot
This Hollywood movie seems like yet another overt “revelation of the method.” This is the black-magickal “principle” that you are morally allowed to do anything to your victim if first you warn him. If he neither resists nor runs, then it is okay. In other words, cowards and fools deserve to suffer. And this is actually valid. But the suffering is followed by genocide, or breeding us into another species, a slave and food species, so this is a pretty severe “lesson.” 😉
In this sentence from the summary of the novel by Lowry, this sentence could be right out of the Ryssen book about what the Jews want:
http://www.sparknotes.com/lit/giver/summary/
“There is no prejudice, since everyone looks and acts basically the same.”
This graphic seems like a joke, but unfortunately it is not, and the laughter is nervous laughter.
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The movie is based on the book by Lois Lowry.
Lois Lowry (born Lois Ann Hammersberg; March 20, 1937) is an American writer credited with more than thirty children’s books. She has won two Newbery Medals, for Number the Stars in 1990 and The Giver in 1994.[1] For her contribution as a children’s writer, she was a finalist in 2000 and U.S. nominee again in 2004, as well as a finalist in 2016, for the biennial international Hans Christian Andersen Award, the highest recognition available to creators of children’s books.[2][3] Her book Gooney Bird Greene won the 2002 Rhode Island Children’s Book Award. In 2007 she received the Margaret Edwards Award from the American Library Association for her contribution in writing for teens.[4] In 2011 she gave the May Hill Arbuthnot Lecture; her lecture was titled “UNLEAVING: The Staying Power of Gold”.[5] She was also awarded an honorary Doctorate of Letters by Brown University in 2014.[6] [7]
As an author, Lowry is known for writing about difficult subject matters within her works for children. She has explored such complex issues as racism, terminal illness, murder, and the Holocaust among other challenging topics. She has also explored very controversial issues of questioning authority such as in The Giver quartet. Her writing on such matters has brought her both praise and criticism. In particular, her work The Giver, the first novel in The Giver quartet, has been met with a diversity of reactions from schools in America, some of which have adopted it as a part of the mandatory curriculum, while others have prohibited the book’s inclusion in classroom studies. A film adaptation of The Giver was released in 2014.[8]
Lowry was born on March 20, 1937, in Honolulu, Hawaii,[9] to parents Katherine Gordon Landis and Robert E. Hammersberg. Her father was of Norwegian descent and her mother had German, English, and Scots-Irish ancestry.
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…..TRUE GRIT
I always eschewed John Wayne in his heyday just because he was so popular with the many. But having seen his best film, based somewhat on a true story, Wayne was excellent. My overwhelming impression was what a hell the Old West was for women and girls. Kim Darby gives a winning performance as a girl with average looks but full of spirit and spunk, a teen whom even Wayne’s crusty, cynical character warms too. Recommended.
https://en.wikipedia.org/wiki/True_Grit_(1969_film)
.https://www.youtube.com/watch?v=XYkkZDpnKss
There’s gotta be a way to get weinstein’s neck into a noose.
So cynical of this Weinstein to produce a movie for the goyim glorifying freedom, feelings and love, and then force white women to have sex with him or lose their career.